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彼岸

FANHALL ID: if00336
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片名: 彼岸
其它片名: 彼岸/The Other Shore
导演: 周渔
制片人: 周渔, 李曼
摄影: 薛明
剪辑: 周渔
片长: 52分钟
年份: 2008年
类型: 纪录片
国别: 中国大陆
语言:
格式:

影片概述 . . . . . .

《彼岸》记录了黄河边一个古老行当的故事。捞尸体的老人在镜头前讲述所见所闻,个人命运、历史命运通过与当下现实的勾连,产生出的不是对历史的依恋,而是对生命本质的询问。

"The other shore," Huang Hebian recorded the story of an ancient trade. Fishing bodies of the elderly in front of the camera saw and heard about the personal fate, the fate of history with the current reality of Goulian, the produce is not a history of attachment, but asked about the nature of life.

导演阐述 . . . . . .

《彼岸》一片,以纪实、思考的方式,将黄河流经兰州的一段水域打捞尸体的事迹呈现出来——它是历史的存在,却不被更多的人知道……本片围绕“坝”的符号意义,带出两个时代、两种行为意识的对比。通过片中人物存有时代差异的朴素、现实的访谈,力求在不同的时代特征下,在各自的话语及实践方式中,寻觅潜在的对形而上的价值诉求与思索。有此岸方有彼岸;有此岸,人类避免不了对于彼岸的想象与关照。逝之如斯,当一切被命名之时,我们希望,至少在现实层面,彰显一种对于死亡的关注;在日常生活中,昭示一种对于生命的关怀。

Yellow River every year a large number of floating corpses, many of the spirits of the dead spirits waiting for salvage. But times have changed, the business has a new way ... ...
When this form of life to demonstrate in front of the camera, the sociology of language, as well as to face all kinds of complex era when the kind of a sense of security can not be satisfactorily resolved once again to our confusion. Life and death never take into account the complexity of words, words but also how to recover the cold can not keep up with life and death. "Time" in the "other side" of course, can only be regarded as the path, and we linger in the minds of the Yellow River is from Gone with the Wind, under which a corpse is. Indifference is not a political struggle or economic miracle behind the product, now perhaps we have forgotten that it is the world of the existence of a.

Bible, "Revelation" Chapter 14, 20, said: "The death and the underworld have been thrown into the lake of fire, the lake of fire is the second death. If there are people who do not remember the name of the book of life, he was thrown into the fire The lake. "Ancient Chinese culture, although in the absence of the concept of the" other side "sense of ancestor worship but also fear ghosts. No matter what age, no matter what the reason, the salvage of the bodies were, after all, doing something with life and death-related matters. For those of the dead were recovered from the water, drowning whatever reason, whether or not they will arrive on the other side, they should be recorded in the book. At least in the real level of a highlight for the death of concern; in their daily lives, shows a concern for the life. This is the "other shore" with a story to convey to us.

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评论列表(6) . . . . . . ( 发表新评论 ) ( 更多评论 )

抵达之谜--纪录片《彼岸》浅释  来自于光 [展开/收起]
网管   2008-11-29 02:38:47   1回应
抵达之谜--纪录片《彼岸》浅释 于 光 独立影像人吴文光说过,对他“很有刺激”的那种“毛糙、冲动、无所顾忌”,如今只能到圈外找,“在年轻人身上...
《彼岸》:世界的另一面 来自王杨的评论 [展开/收起]
网管   2008-11-29 02:37:43   0回应
《彼岸》:世界的另一面 文/王杨 世界在我们眼中究竟是什么模样?如今,影像中的世界是复杂的。拔地而起的高楼大厦,急速消失的老房子,人们都在影像...
看《彼岸》说彼岸 [展开/收起]
网管   2008-11-21 14:48:13   0回应
自以为是的理想社会 死人养活人 活人变死人 政府只是过路人 《彼岸》————周渔 从文革期间开始至今,在甘肃省某个县,黄河上,有为数不多的捞尸人...

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