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Beröringen

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片名: Beröringen
其它片名: 接触/The Touch
导演: Ingmar Bergman
编剧: Ingmar Bergman
主演: Bibi Andersson, Max von Sydow, Elliott Gould
片长: 115分钟
年份: 1971年
类型: 剧情
国别: 瑞典 美国
语言: 瑞典语 英语
格式:
制作机构: Cinematograph AB

影片概述 . . . . . .

I've heard a lot of things about this film -- it generally gets low reviews, is described as "unBergmanesque", and the fact that its so difficult to find led me have very low expectations for the film. I expected something between the atypical Bergman plot of "The Serpent's Egg" and the disturbing social violence of "From the Life of the Marionettes." I finally tracked down a copy, poor in quality, and expected mediocrity at best when I put it in.

After having just finished watching it, I can say I was very pleasantly surprised with the film. A lot of the things said about it are just plain false -- the plot is very much in keeping with Bergman's other material. A married woman, Karin (Anderson), falls in love with a disturbed architect, David (Gould), and the two begin an emotionally confused love affair. Karin is caught between her happy bourgeois life with her husband (Sydow) and children, and her passionate, unconventional relationship with David. Acting in bad faith, Karen refuses to choose between her two lives, though both David and her husband eventually push the decision on her. Like most Bergman films, its a psychological roller coaster and a bleak portrayal of the coarseness of human relationships.

Bibi Anderson does a wonderful job in a very difficult role, and Max von Sydow plays the part of the honest and good intentioned husband very well, playing hard on the viewer's sympathies. The stiff performance of Gould echoes that of Carradine in "The Serpent's Egg," so it must unfortunately be attributed to Bergman's struggle with directing in English, not on Gould himself. If I recall, the film was made in both Swedish and English, both versions filmed at once, which poses obvious production difficulties which might account from the some times mechanical treatment of the script.

The film has an excellent pace to it, and moves very swiftly and smoothly, wonderfully shot by Nykvist in a way very similar to "The Passion of Anna." Unlike a lot of Bergman's depressing work in the 1970s, I felt good about the film when it was over.

I don't know why this film has such a poor reputation -- I'm very much baffled after having seen it. My guess is the obvious mistake of having made it in English accounts for most of this.

Its seems a lot like Bergman's other work in this period. Very Good.

讲述了一名已婚妇女的爱上其他人的故事,一个红杏出墙的三角恋。 已婚夫妇二人居住在一起并能很好的相处, 他们的性格很 ... 般配。

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以此为片名的影片有好几部,包括杨紫琼的《天脉传奇》。本片是伯格曼拍摄的第一部英语对白影片,普遍认为远不如他的前期作品,对白不自然,内涵不足。
——2009-04-17 17:34:59,4444上传

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