Frauen in New York
片名: | Frauen in New York |
---|---|
其它片名: | 纽约妇女/Women in New York |
导演: | Rainer Werner Fassbinder |
编剧: | Nora Gray, Clare Boothe Luce |
制片人: | Rainer Werner Fassbinder |
摄影: | Michael Ballhaus |
剪辑: | Wolfgang Kerhutt |
主演: | Ilse Bally, Christa Berndl, Ehmi Bessel |
片长: | 111分钟 |
年份: | 1977年 |
类型: | 剧情 |
国别: | 德国 |
语言: | 德语 |
格式: | |
制作机构: | Norddeutscher Rundfunk (NDR) |
影片概述 . . . . . .
I recently managed to get a VHS copy of this rarity. It unfortunately has no subtitles, but I am very familiar with the play ("The Women," 1936), so it was a real pleasure to watch.
Unlike Fassbinder's other made-for-television films like FEAR OF FEAR or I ONLY WANT YOU TO LOVE ME, both of which could have been released theatrically as feature films, FRAUEN IN NEW YORK only really works as a television product. It is "filmed theater" in the extreme – the sets are very stagey, and slightly unreal in some cases. Each scene is filmed in single takes, with the camera zooming and panning to emphasize the different characters (very good camera work, mind you, from Michael Ballhaus). The scene in the Reno hotel is remarkable in that the entire scene was shot through a huge piece of glass with evenly spaced streams of water trickling down it (this is evidently meant to be one of the windows of the elegant hotel lobby). This strikingly visual scene places this film comfortably in Fassbinder's Chinese ROULETTE period.
FRAUEN IN NEW YORK features one of Peer Raben's stranger scores (very similar to his music for QUERELLE, actually). The primary elements are choral singers, mixed with some synthesizers – ethereal to say the least, but thankfully subtle. In the scene where Mary is at the manicurist, there is this persistent synthesizer noodling in the background, giving the film a real 70s avant-garde feel.
Margit Carstensen shines the brightest as the cosmopolitan Sylvia – who else in Fassbinder's troupe could have been so perfect for that role? And Fassbinder is very much at home in telling a story about catty women. I would say that this is certainly deserving of a DVD release, as it is, if nothing else, a nice television piece.
Unlike Fassbinder's other made-for-television films like FEAR OF FEAR or I ONLY WANT YOU TO LOVE ME, both of which could have been released theatrically as feature films, FRAUEN IN NEW YORK only really works as a television product. It is "filmed theater" in the extreme – the sets are very stagey, and slightly unreal in some cases. Each scene is filmed in single takes, with the camera zooming and panning to emphasize the different characters (very good camera work, mind you, from Michael Ballhaus). The scene in the Reno hotel is remarkable in that the entire scene was shot through a huge piece of glass with evenly spaced streams of water trickling down it (this is evidently meant to be one of the windows of the elegant hotel lobby). This strikingly visual scene places this film comfortably in Fassbinder's Chinese ROULETTE period.
FRAUEN IN NEW YORK features one of Peer Raben's stranger scores (very similar to his music for QUERELLE, actually). The primary elements are choral singers, mixed with some synthesizers – ethereal to say the least, but thankfully subtle. In the scene where Mary is at the manicurist, there is this persistent synthesizer noodling in the background, giving the film a real 70s avant-garde feel.
Margit Carstensen shines the brightest as the cosmopolitan Sylvia – who else in Fassbinder's troupe could have been so perfect for that role? And Fassbinder is very much at home in telling a story about catty women. I would say that this is certainly deserving of a DVD release, as it is, if nothing else, a nice television piece.
导演阐述 . . . . . .
获得奖项 . . . . . .
评论列表(0) . . . . . . ( 发表新评论 ) ( 更多评论 )
幕后花絮 . . . . . . (上传花絮) (展开所有)
影片图集 . . . . . . (更多/我要上传)
相关视频 . . . . . . (更多/我要分享)
对本影片资料作出贡献的会员 . . . . . .
4444(创建者)