Créatures, Les
| 片名： | Créatures, Les |
|---|---|
| 其它片名： | 创造物 |
| 导演： | Agnès Varda |
| 编剧： | Agnès Varda |
| 制片人： | Mag Bodard |
| 摄影： | William Lubtchansky, Willy Kurant, Jean Orjollet |
| 声音： | Jacques Maumont |
| 剪辑： | Janine Verneau |
| 主演： | Catherine Deneuve, Michel Piccoli, Eva Dahlbeck |
| 音乐： | Pierre Barbaud |
| 片长： | 92分钟 |
| 年份： | 1966年 |
| 类型： | 剧情 |
| 国别： | 法国/瑞典 |
| 语言： | 法语 |
| 格式： | |
| 制作机构： | Madeleine Films |
影片概述 . . . . . .
the others will think it merely arty.Like so many nouvelle vague artists,Agnès Varda tries hard here to say something "deep" "meaningful" and "of consequence".
All Varda's qualities seem to have vanished into thin air:spontaneity,simplicity and sensitiveness,which made her beautiful "Cleo de 5 à 7" so worthwhile and so new at the beginning of the sixties.These qualities seemed to remain in the follow-up "le bonheur",but this latter work is rather unpleasant in several respects.(Mrs Alice Liddell wrote a very good IMDb comment for "le bonheur",read it and you'll know what I mean)
In "les creatures" Varda casts Piccoli as a writer and Deneuve his mute (because of an accident)wife .The other characters are all pawns in a giant chess game.Sometimes the screen turns red ,maybe to indicate that it's not the same "player",who knows?Actually this is the kind of movie which defies analysis.
It was the eighties before Agnès Varda was again in clover with "sans toit ni loi" and "Jacquot de Nantes".
所有瓦尔达的素质似乎已消失得无影无踪：自发性，简易性和敏感性。
All Varda's qualities seem to have vanished into thin air:spontaneity,simplicity and sensitiveness,which made her beautiful "Cleo de 5 à 7" so worthwhile and so new at the beginning of the sixties.These qualities seemed to remain in the follow-up "le bonheur",but this latter work is rather unpleasant in several respects.(Mrs Alice Liddell wrote a very good IMDb comment for "le bonheur",read it and you'll know what I mean)
In "les creatures" Varda casts Piccoli as a writer and Deneuve his mute (because of an accident)wife .The other characters are all pawns in a giant chess game.Sometimes the screen turns red ,maybe to indicate that it's not the same "player",who knows?Actually this is the kind of movie which defies analysis.
It was the eighties before Agnès Varda was again in clover with "sans toit ni loi" and "Jacquot de Nantes".
所有瓦尔达的素质似乎已消失得无影无踪：自发性，简易性和敏感性。
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