Il mistero di Oberwald

The Mystery of Oberwald is a made of television movie, done in video before being transferred to 35mm. As introduced by Lorenzo Codelli, this movie reunites actress Monica Vitti and director Michelangelo Antonioni since their last collaboration in Red Desert, some 17 years earlier. During this while, Vitti became a fairly successful comedic actress, while Antonioni was like a globetrotter having films made in the UK (Blowup), US (Zabriskie Point) and having a documentary done in China about China on the invitation of the Chinese government of the time. The movie was shot for state broadcast television, which was appealing to filmmakers at that time because it was increasingly difficult to raise funds for theatrical feature films.

And if Antonioni wanted to make a film to dabble with video technology, then perhaps he had achieved that goal. Technically it had employed many tricks of the trade through its cinematography and editing, but what strikes you most is the use of colours in the movie to accentuate mood of its characters, through various changes and transitions, with contrasting hues and tints used which dissolves every now and then. When used at the great outdoors, the generous shots of nature were given a life of its own, and in those terms, makes it a very beautiful film to gawk at.

If only the story could match up to its technical strengths. Based on the play "L'Aigle a Deux Tetes" by Jean Cocteau, it's no wonder that the movie played out exactly like a stage play. To make things worse, the dialogue was excruciatingly painful to sit through, perhaps being a period piece, we have to make do with characters speaking in more elaborate terms and beating around the bush. It could be another case of having its nuances lost in translation, but if that's the case, then the subtitles really did the story no favour. The situations the story unfolded were rather unconvincing, and quite dry. Unfortunately too that Monica Vitti wasn't able to arrest you with the special x-factor that she possessed in the earlier Antonioni movies, and looked rather tired in her role as The Queen, who has rather queer habits.

The story picked up early when a pursued Sebastian (Franco Branciaroli) ended up breaking into the castle at Oberwald to perform an assassination of the Queen, only to have fainted before carrying out his mission. The only saving grace for him, is his resemblance to the late King, and herein lies his ticket to get out with the Queen still nursing a longing, and takes a natural liking for Sebastian. In between an unlikely, unrealistic and unconvincing romance is thick politicking between the Queen and her enemies, chiefly the Archduchess whom we never see on screen. There's much talk about fate and destiny and the likes, but that's only when you can tolerate and get through Act One which happens to be mostly a monologue where the Queen rants to an unconscious Sebastian.

Certainly The Mystery of Oberwald in my opinion is not one of Antonioni's best, nor does it come close to being something quite memorable. This movie currently ranks as my least favourite of all the Antonioni movies watched to date, and elevates my other Antonioni disappointments as masterpieces to be celebrated.

十年前，国王被刺杀身亡。王后一直沉浸在丧夫的痛苦之中。而王国中的阴谋家们正在觊觎着王国最高的权力和王位。十年后的一天，一个受伤的人闯进王后的宫中，他的相貌同死去的国王的一模一样。这名年轻男子名叫塞巴斯蒂安，是一位诗人，在别人的劝说下前来刺杀王后，但王后却爱上了他。王后早已对自己在...

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