您好,请 登录注册

I vinti

FANHALL ID: if01860
> 投票或上传图片(5)
> 浏览/分享相关视频(0)
评分: (不足5人暂不计算)
(共 0 人评价)
片名: I vinti
其它片名: 失败者/The Vanquished
导演: Michelangelo Antonioni
编剧: Michelangelo Antonioni, Suso Cecchi d'Amico, Giorgio Bassani, Diego Fabbri, Roger Nimier
摄影: Enzo Serafin
声音: Alberto Bartolomei
剪辑: Eraldo Da Roma
主演: Franco Interlenghi, Anna-Maria Ferrero, Eduardo Ciannelli, Evi Maltagliati, Umberto Spadaro
音乐: Giovanni Fusco
片长: 110分钟
年份: 1953年
类型: 剧情
国别: 意大利 法国
语言: 意大利语 英语 法语
格式:
制作机构: Film Costellazione Produzione

影片概述 . . . . . .

This was Antonioni’s third film and arguably his rarest from the pre-AVVENTURA period. Taking an episodic structure, it is a sober treatment of juvenile delinquency – showing a widespread alienation affecting the youth of the post-war years in various European cities. The film has a rough, torn-from-the-headlines feel to it – even if the director’s perspective isn’t nearly as acute as in his later, more polished work (tending also towards preachiness, beginning from the opening montage).

The French episode shows a gang of aimless youth from working-class families cold-bloodedly planning and carrying out the murder of a boastful bourgeois companion of theirs out of envy. The Italian part is more conventional, though featuring some nice noir-ish atmosphere in its tale of a petty smuggler who commits murder in panic, is hurt trying to escape from the police and dies on reaching his home (having in the meantime confessed to his girl). It stars Franco Interlenghi (who appeared in similar ‘denunciations’ by other Italian master film-makers, namely Vittorio De Sica’s SHOESHINE [1946] and Federico Fellini’s I VITELLONI [1953]) and Eduardo Ciannelli, back home after a distinguished Hollywood career as a character actor.

The English segment – involving the discovery of a body in the park – rather serves as an interesting precursor to the much more celebrated (and abstract) BLOW-UP (1966), It emerges as the best episode, again revolving around a conceited character – only this time it’s he who turns to crime just for kicks (he relishes, even invites all the ensuing publicity). The victim is played by Fay Compton (from Orson Welles’ OTHELLO [1952]), while Patrick Barr (perhaps best-known as the retired blind judge in Pete Walker’s infamous HOUSE OF WHIPCORD [1974]) is the reporter hero.

For the record, Antonioni was involved with four other feature-film compendiums throughout his career – LOVE IN THE CITY (1953), the little-seen I TRE VOLTI (1965), BEYOND THE CLOUDS (1995) and his swan-song EROS (2004; which I had the privilege of watching during the Venice Film Festival, with the director sitting just a few paces away from me!).

导演阐述 . . . . . .


获得奖项 . . . . . .


标签: 添加标签

评论列表(0) . . . . . . ( 发表新评论 ) ( 更多评论 )

幕后花絮 . . . . . . (上传花絮) (展开所有)

影片图集 . . . . . . (更多/我要上传)

相关视频 . . . . . . (更多/我要分享)

对本影片资料作出贡献的会员 . . . . . .

4444(创建者)