苍蝇

刘沛沛。八十年代初在大学读书期间，与同学们为在课堂上争取画全裸人体的权利跟校方交涉。随后跟同学们一起参与组织不被校方允许而举办的《露天画展》。

系列记录片《他们说》导演简述:
从去年的八月起，为了写些什么或者拍点什么，我开始对一些五十岁以上的特定对象进行访问。直到十一月初，我已经访问了数位过去的友人或熟人。有的人是二十年都未曾谋面了。在采访过的人里，我如此强烈地发现，久违的幕幕往事又重新清晰地出现在眼前。今天，我们几乎从不去回忆这些曾经让我们痛苦、彷徨、甚至改变了我们命运的种种事实。那些过往的事情几乎从我们的生活中不知不觉地消失了。
表面上看，被访问的对象里，大多数人通常愿意回忆让他们快乐的事情。人的本能也许是不愿意回顾苦难。就算是不得不提到恐怖的往事，他们也大都苦笑了之，将过去轻描淡写，一带而过。谁期望不愉快再次发生在想象里呢？就像普希金的诗里写到过的那样，“一切痛苦终究会过去，而过去就会变成美好的回忆……”当然，也有人说，“忘记过去就意味着背叛”。在访问的过程中，也有一些例外。总有个别人严肃地讲述不应该忘记的困苦。这让我考量：忘记或者记住过去真的很重要吗？电影从本质上来讲，正是人们想把事实永远留存下来的幻想。然而，一部电影，哪怕是一部记录片，亦并非用来证实电影的本质，它可能常常用来给观看的人予以希翼与温暖。在这个考虑的过程中，重重矛盾萦绕脑际。
或者拍摄记录片正是用来寻找答案的开始。不管结果有无，这都将是一个新的行动。
本片目前选择的访问对象已经拍摄完成三位。均为口述为主的记录形式。同时本片暂时也分为三个各自独立的篇章。
陈坪。七十年代中期，二十岁时，因为在与朋友的通信中讨论文学、议
论时政，被抓捕，判为反革命集团首犯。后国内局势变换，入狱近两年后获释。一生皆为此受累。
刘沛沛。八十年代初在大学读书期间，与同学们为在课堂上争取画全裸
人体的权利跟校方交涉。随后跟同学们一起参与组织不被校方允许而举办的《露天画展》。
三．王康。新中国同龄人。他六十年的生命见证了新中国的生长、所有的政治运动以及漫长的黑暗、贫困。他说，这是他的宿命。

目前，关于王康部分，已经剪辑完成。其谈及范围庞杂宽阔，单独成篇。命名为《60》。
刘沛沛部分，亦单独成篇，命名《苍蝇》。
陈坪部分，尚未完成。

Director’s Statement:
The Director of the Documentary series "They say" :
In order to write or make something, I started to interview some people over the age of 50 years old from August last year. Until early November, I visited several friends or acquaintances of the past. Some people I hadn't seen for nearly two decades. I found that so many past memories appeared again during the interview. Nowdays, we almost never touch those memories of such pain, loss, or even change our destiny, but they disappear, unknowing, from our life..

The majority of people seem on the surface willing to recall happy things. People may be instinctively reluctant to recall the suffering. Even if they have to mention the terrible past, all they do is laugh bitterly and give a brief description. No one expects unpleasant thing will happen again, even in the imagination. Just as in Pushkin's poem, "all the suffering will be over eventually, and the past will become a good memory ... " Of course, it was said, "forgetting the past implies betrayal." But there are some exceptions. Some people always claimed seriously we should never forget the hardships. I wonder about the significance to forget or to remember the past. The film in essence gives the illusion of recording the reality forever. However, in a movie, even a documentary, they would not be used to confirm the nature of the film, but to deliver the message of hope and warm. So many contradictions haunted my mind when I thought about this. Maybe a documentary or film is the beginning of searching for the answer. Regardless of the outcome, it will be a new action.

The film has three finished oral interviews. At the same time, the film is divided into three separate chapters.
1. Chen Ping. The mid-seventies, twenty-years-old. He was arrested and at for the leader of counterrevolutionary clique, because he talked with friends about literature and politics. After the changes in domestic politics, he was released after two years imprisonment. But this affected his whole life.
2. Liu Peipei. The early eighties during the study at the university. He negotiated with his school for the right to painting naked body in classroom. Then he organized the "open-air art exhibition" which was forbidden by his school.
3. Wang Kang. A peer of the New China. Over sixty years, he witnessed the growth of new China, all the political movements as well as the long darkness and poverty. He said that was his destiny.
At present, the editing on the section of the Wang Kang part is complete. Considering its complexity, I made it a separate chapter, named "60."
Liu Peipei part, but also a separate chapter, named "flies."
Chen Ping part, has not yet been completed.

107cine(创建者)