我是一群人1
| 片名： | 我是一群人1 |
|---|---|
| 其它片名： | 我是一群人1 |
| 导演： | 李消非 |
| 摄影： | 李消非 |
| 剪辑： | 李消非 郭庆玲 |
| 音乐： | 徐小国 李言增 |
| 片长： | 25 分12 秒分钟 |
| 年份： | 2020年 |
| 类型： | |
| 国别： | |
| 语言： | |
| 格式： | 高清录像、PAL格式、彩色、有声 |
影片概述 . . . . . .
李消非, 1973年出生于中国湖南，毕业于广州美术学院油画系，现居住、工作在纽约和上海。
李消非从2010年开始创作“流水线项目”，该项目是一种与当下的社会进程和社会变迁联系在一起的实践过程，至今他已在世界各地考察和拍摄了两百多家不同类型的工厂。他用重复不断的运行和递进的影像来代替一般叙事手法去感知生产者，以探讨工业生产和社会发展的关系，并不断质疑视觉生产和商品生产之间的问题。
Li Xiaofei (Chinese:李消非; b.1973) is a Chinese visual artist and director who lives and works in New York and Shanghai. He graduated from Guangzhou Academy of Fine Arts.
In 2010, Li initiated the Assembly Line Project—a practice that is intertwined with the social progress and social transformations of our time. Li has travelled around the world, investigating and taking footage of over 250 different factories to date. His work challenges the inherent sense of perception and production contained in more traditional narrative modes of expression, replacing these with his own visual language of continuous and repeating images. His works seek to explore the relationship between industrial production and social development, continually calling into question and investigating the issues surrounding the production of both commodities and images.
李消非从2010年开始创作“流水线项目”，该项目是一种与当下的社会进程和社会变迁联系在一起的实践过程，至今他已在世界各地考察和拍摄了两百多家不同类型的工厂。他用重复不断的运行和递进的影像来代替一般叙事手法去感知生产者，以探讨工业生产和社会发展的关系，并不断质疑视觉生产和商品生产之间的问题。
Li Xiaofei (Chinese:李消非; b.1973) is a Chinese visual artist and director who lives and works in New York and Shanghai. He graduated from Guangzhou Academy of Fine Arts.
In 2010, Li initiated the Assembly Line Project—a practice that is intertwined with the social progress and social transformations of our time. Li has travelled around the world, investigating and taking footage of over 250 different factories to date. His work challenges the inherent sense of perception and production contained in more traditional narrative modes of expression, replacing these with his own visual language of continuous and repeating images. His works seek to explore the relationship between industrial production and social development, continually calling into question and investigating the issues surrounding the production of both commodities and images.
导演阐述 . . . . . .
关于“我是一群人”项目
“我是一群人”是“流水线项目”的子项目，2019年春天开始，我对各类人群进行采访、拍摄。从2010年着手“流水线项目”以来，在走访、拍摄两百多家不同类型的工厂后，见过的人、聊过的事，时常在深夜回涌并持续发酵。我不免怀疑我的旅途、我的目的、我的艺术、我所处的环境，我质疑作为艺术家的我是如何成为这个时代的剩余劳动力的。我想知道原因在哪？于是，我沿着一切过往点滴寻找，在这个过程中，我发现了“我是一群人”。
这一群人始终存在。你来我往，有时模糊，有时清晰，有时我就是你，你就是我，有时我不是我，你也不是你，有时我是我们、也是你们、还是他们。一个表情、一个眼神、一个微笑、一个动作、一个问题、一个答案、一个疑惑、一个自白、一个哈欠、一阵沉默，这些真实的碎片，是社会政治经济生产的、改造着的，“一群人”，就像一个容器成为一群人的面目。
在生活照旧，生命如常的社群中，如何透过一个个寻常、平淡、朴实、真挚的个体经历和生活段落，来构建一个自我社会感觉？进而觉察当下超稳定的思维方式，在社会政治经济结构中是怎样影响生存空间和人际沟通的？这是这个项目的关注点。
感谢所有接受采访的朋友们！
“我是一群人”项目持续中，敬请关注！
About I Am the People
In 2019, I began the “I Am the People” Project, a sub-project of the “Assembly Line Project,” which involves interviews of people from various professions or social groups. Since 2010, when I first began the Assembly Line Project, I have visited, conducted interviews and taken footage of over 200 different kinds of factories. In the process of meeting all of these people, I found that the things which we discussed during the day would often resurface in my mind in the middle of the night—thoughts which continued to develop and evolve. There were times when I doubted my journey, questioned my purpose, my art, my environment and wondered about my role as an artist and how I managed to become part of the surplus labor force of this era. I wanted to get to the root of these issues, so I riffled through the past, seeking all that was hidden, searching bit by bit, and through this process, I realized “I am the People.”
This group of people, this collective, has always existed, coming and going, waxing and waning, sometimes vague and indistinct, sometimes lucidly-defined. Sometimes I found that “I” became “you” and “you” became “I.” Sometimes I found that I was not myself and neither were you. Sometimes I was “us,” and at the same time the plural “you” or maybe even “them.” An expression, a gesture, a glance, a smile, a question, an answer, a look, a doubtful glance, a clarification of an idea, a yawn, a spell of silence—all these fragments of reality and the socio-political and economic forces of production have at the same time shaped this “collective,” acting like a container which determined the contours of its form, the contours of its face.
Within this community, where life goes on as usual, through these ordinary, pedestrian, common, plain and sincere individual experiences, and phases of life, how can we build a society of the self, to examine the current singular and enduring modes of thinking, and how to influence the space of people’s existence and communication in a long-term way within the socio-political and economic structures; this has become the focus of this project.
“我是一群人”是“流水线项目”的子项目，2019年春天开始，我对各类人群进行采访、拍摄。从2010年着手“流水线项目”以来，在走访、拍摄两百多家不同类型的工厂后，见过的人、聊过的事，时常在深夜回涌并持续发酵。我不免怀疑我的旅途、我的目的、我的艺术、我所处的环境，我质疑作为艺术家的我是如何成为这个时代的剩余劳动力的。我想知道原因在哪？于是，我沿着一切过往点滴寻找，在这个过程中，我发现了“我是一群人”。
这一群人始终存在。你来我往，有时模糊，有时清晰，有时我就是你，你就是我，有时我不是我，你也不是你，有时我是我们、也是你们、还是他们。一个表情、一个眼神、一个微笑、一个动作、一个问题、一个答案、一个疑惑、一个自白、一个哈欠、一阵沉默，这些真实的碎片，是社会政治经济生产的、改造着的，“一群人”，就像一个容器成为一群人的面目。
在生活照旧，生命如常的社群中，如何透过一个个寻常、平淡、朴实、真挚的个体经历和生活段落，来构建一个自我社会感觉？进而觉察当下超稳定的思维方式，在社会政治经济结构中是怎样影响生存空间和人际沟通的？这是这个项目的关注点。
感谢所有接受采访的朋友们！
“我是一群人”项目持续中，敬请关注！
About I Am the People
In 2019, I began the “I Am the People” Project, a sub-project of the “Assembly Line Project,” which involves interviews of people from various professions or social groups. Since 2010, when I first began the Assembly Line Project, I have visited, conducted interviews and taken footage of over 200 different kinds of factories. In the process of meeting all of these people, I found that the things which we discussed during the day would often resurface in my mind in the middle of the night—thoughts which continued to develop and evolve. There were times when I doubted my journey, questioned my purpose, my art, my environment and wondered about my role as an artist and how I managed to become part of the surplus labor force of this era. I wanted to get to the root of these issues, so I riffled through the past, seeking all that was hidden, searching bit by bit, and through this process, I realized “I am the People.”
This group of people, this collective, has always existed, coming and going, waxing and waning, sometimes vague and indistinct, sometimes lucidly-defined. Sometimes I found that “I” became “you” and “you” became “I.” Sometimes I found that I was not myself and neither were you. Sometimes I was “us,” and at the same time the plural “you” or maybe even “them.” An expression, a gesture, a glance, a smile, a question, an answer, a look, a doubtful glance, a clarification of an idea, a yawn, a spell of silence—all these fragments of reality and the socio-political and economic forces of production have at the same time shaped this “collective,” acting like a container which determined the contours of its form, the contours of its face.
Within this community, where life goes on as usual, through these ordinary, pedestrian, common, plain and sincere individual experiences, and phases of life, how can we build a society of the self, to examine the current singular and enduring modes of thinking, and how to influence the space of people’s existence and communication in a long-term way within the socio-political and economic structures; this has become the focus of this project.
获得奖项 . . . . . .
李消非曾获纽约亚洲文化协会（ACC）、瑞典IASPIS，新西兰亚洲基金会等艺术家基金，第六十六届奥伯豪森国际短片电影节“国际影评人奖“和“电影节评委会奖”。他的作品受邀参加第八届柏林双年展、第十届上海双年展、第十五届汉堡短片电影节、第十届挪威巴伦支艺术节、第五届波兰波茨南双年展、第四届、第六届和第七届深港城市\\建筑双城双年展、第四届今日文献展等展览，以及由慕尼黑艺术中心、广东时代美术馆、OCAT西安馆举办的个展，由法国蓬皮杜艺术中心、美国旧金山现代艺术博物馆、美国奥尔布赖特·诺克斯美术馆、韩国首尔国立美术馆、德国柏林KW、德国莱比锡当代美术馆、意大利都灵FSRR、上海外滩美术馆、上海当代艺术博物馆等机构举办的群展，其作品被美国卡迪斯特艺术基金会、英国FCAF基金会、澳大利亚白兔美术馆等公共机构和私人收藏。
更多信息: http://www.lixiaofei.org/
Li Xiaofei has been the recipient of multiple grants and awards, including the Sovereign Foundation Fellowship of the Asian Cultural Council, and the IASPIS International Residency Grant, the FIPRESCI Award and an honorable mention by the International Jury at the 66th Oberhausen International Short Film Festival. His works have been featured nationally and internationally in the 4th ,6th and 7th Bi-City Biennale of Urbanism / Architecture of Shenzhen and Hong Kong, (2013, 2017 and 2019), the 10th Shanghai Biennale (2014), the 8th Berlin Biennale for Contemporary Art (2014), Barents Spektakel (2015), and the 3rd Taiwan International Video Art Exhibition (2012), the Kunstraum München, the Guangdong Times Museum, OCAT Xi’an (solo exhibition), the Centre Pompidou (Paris), the San Francisco Museum of Modern Art, the Seoul Museum of Art, FSRR (Turin), Rockbund Art Museum (Shanghai), and KW Berlin in group exhibitions. His works have been collected both by institutions and private collectors, including the Kadist Art Foundation (USA), FCAF (UK), and the White Rabbit Gallery (Australia).
For more information: http://www.lixiaofei.org/
更多信息: http://www.lixiaofei.org/
Li Xiaofei has been the recipient of multiple grants and awards, including the Sovereign Foundation Fellowship of the Asian Cultural Council, and the IASPIS International Residency Grant, the FIPRESCI Award and an honorable mention by the International Jury at the 66th Oberhausen International Short Film Festival. His works have been featured nationally and internationally in the 4th ,6th and 7th Bi-City Biennale of Urbanism / Architecture of Shenzhen and Hong Kong, (2013, 2017 and 2019), the 10th Shanghai Biennale (2014), the 8th Berlin Biennale for Contemporary Art (2014), Barents Spektakel (2015), and the 3rd Taiwan International Video Art Exhibition (2012), the Kunstraum München, the Guangdong Times Museum, OCAT Xi’an (solo exhibition), the Centre Pompidou (Paris), the San Francisco Museum of Modern Art, the Seoul Museum of Art, FSRR (Turin), Rockbund Art Museum (Shanghai), and KW Berlin in group exhibitions. His works have been collected both by institutions and private collectors, including the Kadist Art Foundation (USA), FCAF (UK), and the White Rabbit Gallery (Australia).
For more information: http://www.lixiaofei.org/
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