档案
| 片名： | 档案 |
|---|---|
| 其它片名： | 档案/The Dossier |
| 导演： | 朱日坤 |
| 编剧： | 朱日坤 |
| 制片人： | 朱日坤 |
| 摄影： | 朱日坤 王我 |
| 剪辑： | 徐辛 |
| 片长： | 129分钟 |
| 年份： | 2014年 |
| 类型： | 纪录 |
| 国别： | |
| 语言： | 英文字幕 |
| 格式： | |
| 制作机构： | Fanhall Films |
影片概述 . . . . . .
西藏作家唯色因為在文章中如實描寫她觀察到的現實，而被官方認為有政治問題。唯色拒絕接受審查，被開除了公職。按照預定程序和路徑，唯色本來應該是紅色事業的“接班人”，卻在現實中偏離了這個預製的軌道。她堅持獨立寫作，為藏人所遭受的迫害發聲。獲得了認可和榮譽的同時，她的自由也經常收到嚴重的干擾。
意外獲得的唯色的一份官方檔案， 成為這個影片的 主要內容和線索，探索了她的過去和現在，以及一個民族所面臨的困境。她能獲得自由嗎？
Synopsis
Ten years ago, Tibetan writer Tsering Woeser’s efforts to document and present the reality of Tibet was considered a “political problem” by the Party-state. She was fired from her job when she turned down the “request” to confess and correct these “problems”. Since then, she has persevered as an independent writer, and has continued to speak out for the sufferings of Tibetan people. Ever since the disturbance in Lhasa took place in 2008 and as the number of self-immolations among Tibetan people has risen dramatically, her writing and her blog have become an important channel for the world to see Tibet. But despite being acknowledged for her efforts, her personal life and freedom have been seriously disturbed.
As an unexpected event, we came into possession of Woeser’s official dossier which then became the main thread of this film. Through this lengthy and dull dossier, we see how a supposedly well-shaped screw and successor of the Chinese communist cause went off the premade track in reality.
Has she obtained freedom?
意外獲得的唯色的一份官方檔案， 成為這個影片的 主要內容和線索，探索了她的過去和現在，以及一個民族所面臨的困境。她能獲得自由嗎？
Synopsis
Ten years ago, Tibetan writer Tsering Woeser’s efforts to document and present the reality of Tibet was considered a “political problem” by the Party-state. She was fired from her job when she turned down the “request” to confess and correct these “problems”. Since then, she has persevered as an independent writer, and has continued to speak out for the sufferings of Tibetan people. Ever since the disturbance in Lhasa took place in 2008 and as the number of self-immolations among Tibetan people has risen dramatically, her writing and her blog have become an important channel for the world to see Tibet. But despite being acknowledged for her efforts, her personal life and freedom have been seriously disturbed.
As an unexpected event, we came into possession of Woeser’s official dossier which then became the main thread of this film. Through this lengthy and dull dossier, we see how a supposedly well-shaped screw and successor of the Chinese communist cause went off the premade track in reality.
Has she obtained freedom?
导演阐述 . . . . . .
获得奖项 . . . . . .
洛迦諾電影節
Locarno Film Festival
溫哥華國際電影節
Vancouver International Film Festival
Watch Docs電影節
International Film Festival WATCH DOCS
香港獨立電影節
Hong Kong Indie Film Festival
達蘭薩拉國際電影節
Dharamshala International Film Festival
Locarno Film Festival
溫哥華國際電影節
Vancouver International Film Festival
Watch Docs電影節
International Film Festival WATCH DOCS
香港獨立電影節
Hong Kong Indie Film Festival
達蘭薩拉國際電影節
Dharamshala International Film Festival
