Hable con ella

'Hable con ella' aka 'Talk to Her' (2002) is a powerful cinematic experience…It is not the best Almodovar and the narration is not a pristine one as more affective details could have been added. Yet the movie succeeds on so many levels. Why is that so? An original scenario and a bunch of very good actors might very well be the answer. Very baroque at time, adept of kitsch atmospheres Mr. Almodovar also has a cinematic sense of parody as well as drama. His style became famous out of Spain with movie like 'Women on the verge of a Nervous Breakdown' (1988), High Heels (1991) and Kika (1993). 'Talk to her' is no exception. It is baroque in the topic, kitsch in the atmosphere and dramatic in the output. The movie not only talks about friendship between two men but also about loneliness and wounds provoked by passion. It demonstrates how monologue can become dialogue and how silence is in fact 'eloquence of the body'. In between those silences, Benigno Martin (Javier Camera) and soon Marco Zuluaga (Dario Grandinetti) use words as weapons: weapons against Solitude first, against Death and against Madness…Yes Madness is another theme in this movie but not the 'dark madness', not the 'killing madness', but the type that is so close to tenderness and common sense that it becomes almost normality and that's exactly where Mr. Almodovar succeeds

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