红拂夜奔 Dying　in the Dark

　 本片描述的是中国大陆西南地区虚拟的社会背景下所发生的故事，这个社会是凭空捏造但又继承晚清民国传统的社会，这个社会浑浊，来自泰国清迈的华裔黑帮头目杨素因嫉恨红舞女红拂与亲信李靖有染，而虐待红拂并追杀李靖，红拂逃离之后寻求情人李靖与义兄虬髯的帮助……逃出生天的三人组决定不再向杨素妥协，直杀杨素大营……但是，似乎结局有些蹊跷，似乎是杨素和虬髯的对话，两个人之间的个人恩怨还是将战线扩大……
　This video is based on an ancient Chinese story named "Hong Fu Ye Ben(Dying in the Dark)", which serves as the very origin of the film screenplay. Presented with such a chaotic combination of the reality and memories of the old days, the movie story shows the emotional fluctuations and fantasies of the youths of that time, whose moods were endlessly amplified. Impregnated in music, the young's impulses and fantasies enriched their existing wild imagination, in a unchained style. While with all the original orders of the story events being disturbed by the means of multimedia interactions, the same story is told by a non-linear presentation mode. Thus, different audience would see nonidentical narration course, enjoying completely new experiences and feelings from the story.

本片以中国古代故事《红拂夜奔》为缘起，以现实社会和旧时回忆的混杂，渲染着青春期的躁动和幻想，使年轻人的情绪无端放大，在音乐浸染下，幻想和冲动使年轻人的想象力更加丰富，天马行空。以多媒体互动的形式打乱故事原有的顺序，非线性的表述同一个故事，不一样的观众看到不一样的叙述过程，获得不一样的感受。



这是一部囧片，无数的幻想与意淫参合在了这片里，揉碎在创想中，奇怪的选择，开放式的选择似乎是世事纷繁、机缘巧合、命运交错，无数种可能在有限的时间和空间里相互碰撞，生活中看似蕴藉着无限的可能性；打破传统叙事理论的故事性，与叙述区分，在编写了程序的载体里面，影像的故事性被打破，传统的叙述方式被篡改，随机看到的影像由观众自己的意识拼凑成为一个影像过程而非导演强制安排的一个叙述环节。于是观众在讨论，为什么杨素要杀他们，值得追杀吗？他们为什么还要去杀杨素？值得去追杀吗？为什么要去追杀？和无名的反抗？因为导演在无端地制造幻想与意淫，并且影像中的段落的重复、类比、呼应和消解，真正意义上去解放叙事环节，使其观众的单一思维从旧有的时空观念链条上脱轨而出。影像呈现出繁复多义的形态使得旧有的观念全部被打破，新媒体的载具使影像带给观众不一样的观影方式与感受。
To start with this video,I would like to have an ancient Chinese story named "Hong Fu Ye Ben(Dying in the Dark)" as the very reason,under such a combination of the reality and old memories,the emotional fluctuations of those youths could be shown here.
The restlessness and the imagination during the youth would have those human moods enlarged without any reason.While all the original orders being disturbed by the means of multimedia interactions, the same story is being told by a non-linear presentation.Thus,would be able to bring a brand new story with differences only in the process of telling,but also in the process of being touched.

This video tells people a story revealing a fictitious social background in Southwest China, in which the society is totally a made-up one but with multidimensional heritages featuring in the traditions of the late Qing Dynasty and the Republic of China. In such a chaotic society, a gangleader, Cannabis Young--a Chinese Thai from Chiang Mai, out of the jealousy of the love affairs between the popular dancer Red Lotus and his gang confidant Lee Jim, ill-treats Red Lotus and hunts to kill Lee Jim. Fled from Young, Red Lotus turns to Lee Jim and his blood brother Beard Dragon for help…Finally, the three after their narrow escape decide to fight back to Young’s lair instead of compromise…The end, however, seems somewhat odd with apparent dialogs between Young and Dragon,which suggest whether the mutual personal resentment are continuing revenges or this long battle is still expanding...

德国 DCKD艺术设计交流协会参展　　　　　

黄绯红(创建者)