有关中国记录系列片重的短小力作。
有关中国新疆音乐的纪录片
1984-1988年伊文思与罗丽丹多次来中国，拍摄他酝酿已久的纪录片《风的故事》。年近90的伊文思继续进行艺术探索，影片拍摄的几乎是被认为无法拍摄的事物。这是伊文思对自己几十年艺术生涯总结式的归述，融合了他早期的抒情性的电影语言，“直接电影”的手法，以及超现实主义的表达方法。影片的表现手法细腻，内容虽然抽象而又晦涩，但是富有想象力和启发性，受到人们的热烈称赞。此片是他的最后一部作品，于1989年初在巴黎举行了首映式。
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安德烈·日瓦金采夫的电视剧生涯系列。
In "The Return" we saw a citation from renaissance painting by Andrea Mantenia,"The Lamentation over the Dead Christ", which had been cited also by Tarkovsky in "Soryalis". Then we saw also black and white photography,resembling in texture to that in "The Mirror(Zerkolo)",and tracking back into the forest from open space with the water("The Mirror" and "Sacrifice"). All these citations or reminiscences naturally reminded us of Tarkovsky's cinematographic tradition. So it's not strange that Zvyag...
消失了12个年头之后，父亲重新回到家中，而两个儿子——安德列（Vladimir Garin 饰）和伊万（Ivan Dobronravov 饰）已经长大。他们虽时时刻刻思念父亲，然真正相会时却产生了隔膜感。
父亲带着两个儿子去俄罗斯北部的小岛度假，一路上他们遇到各种困难，父亲皆能轻松解决，然而父子间的距离却始终没有拉近。他对待儿子们格外严厉，大儿子安德列对此只能小心应付，小儿子伊万却桀骜不驯。这次旅行，是否能成为父子间的疗伤之旅呢？
本片荣获2004年金秋奖最佳外语片奖、2003年俄罗斯影评人协会最佳剧本、最佳新人和最佳电影奖，2003...
Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived
I won't make any spoilers. This movie doesn't want to be spoiled.
This is one of those films that takes you away . . . and it's nicest to be taken away when you only little by little discover where you're going, which is so rare in the movies. The way AV negotiates this woman's story (or better, "book" in the Proustian sense. sorry about this hauteur cuisine aside if you don't know what this means), with her camera, with her voice overs and by giving Ydessa space to speak for herself, and for ...
With Cinévardaphoto you get 3 great films in one package. Ms. Varda has brought together 3 films she has made over the span of her career. All of them deal with photos and as a whole present a meditation on what photography and the artistic impulse mean to her. While I think "Ydessa, the Bears, and etc...", and "Ulysse" are more intellectually stimulating, "Salut les Cubains" also offers an interesting time capsule appeal in seeing the Cuban revolution as some saw it back in the early sixties. I...
一部喜剧短片,故事发生在瓦尔达居住的巴黎十四区,情节围绕丹菲尔—罗什露广场上的一尊狮子雕像展开,这尊狮子雕像见证了从广场经过的人们的种种活动:相遇、相识……
Agnéz Varda enjoyed making her scavenger film so much she went out with her handi-cam and did it again. The whopping great distribution can't have slowed her down either.
One of the subjects says she shouldn't have been in the first one so much, so she minimises her presence - ineffectively because the winning, quirky first person author is still the star. Detail of the character who lives off garbage and runs in the Paris marathon is particularly intriguing. The insets of the first film, the h...
To glean is to see something beautiful or useful in something that is conventionally useless, pointless or ugly, and to make that thing even more beautiful or useful. One can consume the stuff they glean, or they could recycle it into an art form, creating a whole new purpose for the object(s). Gleaning also applies to our basic ability for survival. In the worst times of our lives, whether it's the death of a friend or facing poverty or illness, there is a way of seeing things positively that h...
Not since Francois Truffaut's "Day for Night" has there been a more loving and jubilant tribute to cinema. The wonderful Michel Piccoli plays an aging legendary actor/director/producer who lives in a glorious country estate, where movie memorabilia line his walls, and famous French and international celebrities drop by daily for visits. Some of the celebrities include Marcello Mastroianni, Gerard Depardieu, Jeanne Moreau, Hannah Schygulla, Alain Delon, Jean-Paul Belmondo, Gina Lollobrigida, and ...
In 1967, the phenomenally successful director of the films Lola and the groundbreaking musical Les Parapluies de Cherbourg, Jacques Demy, arrived in the little port town of Rochefort and, together with his art director, decorated the whole town in cheerful, almost surreal fashion for the filming of his next musical, Les Demoiselles de Rochefort. This enormously well-received film, packed with songs which became integral to French popular culture, put the little town of Rochefort "on the map." ...
It will probably help if you did a little reading up on what the movie was about before you watched it. For a person who likes to start a movie cold, the film confused me in the beginning. Then in due course of time I understood the rhythm but was still confused with the alteration of colour and B&W shots of essentially the same scene.
So the movie gets off to a bad start by assuming that audience members are already in the know. It was interesting to see how various aspects of Demy's film maki...
