同性恋女生温暖的小窝，和披萨外送员的街头生涯。一个是他当兵前的旧日女友，一个是他的情敌。三人在旋转中寻找平衡，然而都不清楚在感情上他们确切要什么。
本片是鸿鸿继《3橘之恋》、《人间喜剧》后的第3部影像作品，一部色彩缤纷、风格诗意的影片，融合纪录、剧情、歌舞、与时尚的奇想实验，时而幽默时而伤感地，深入当代人难以言宣的内在情感世界。
一切从衣服开始。从生到死，从私密的到公开的。一切也不只是衣服。我们和一群性格独特的人物共同穿越城市的角落，从地铁、夜市、百货公司、成衣厂、到旧衣回收站，从华丽的盛装到一丝不挂；音乐随着狂想流转：在停车场跳踢跶舞，在地下道走时装秀…
A访问：在各种公共及私密空间采访，对象包括流行文化评论家、时装设计师、成衣...
波西米亚原本是捷克的一个地名，波西米亚人（Bohemian）在十九世纪泛指巴黎那些像吉普赛人一般贫困却反叛的年轻艺术家与学生，后来因普契尼的同名歌剧而成为世界性的共通词汇。至今，在社会底层、在城市边缘漂泊浮荡的艺术工作者，仍然适用此一称谓。
虽然剧场的待遇微薄又朝不保夕，让他们的生活条件不可思议地俭朴与拮据，然而却不碍他们作为高度自我要求的艺术工作者──是的，他们多半自称为“剧场工作者”而非“艺术家”。他们并不觉得在作任何牺牲，甚至觉得自己比大多数人过得更快乐，然而那种默默付出、默默燃烧着的...
I'm invariably surprised when I mention this film to friends that they say they've never seen it. Werner Herzog in Australia? C'mon. How could the great German director of Wozzeck, Nosferatu and other Gothic classics concern himself with a very oblique tale of a development project impeded by Aboriginal Australians who contend that disturbing the green ants dreams by ripping up their habitat will likewise rip the fabric of the universe? The government solution is to give them an airplane which o...
Werner Herzog looks at the young soldiers who make up the Miskito Indian rebel army. The Indians are an abused minority who sided with the Sandinistas in the Nicaragua civil war. However once the Sandinistas won the Indians were once more an abuse minority and had to fight once more for their rights.
The first part of the film deals with the war itself and how the adults are handling it. The second part of the film deals with the 10,11 and 12 year olds who are being recruited into the fight be...
Perhaps Aguirre is the better film but Brian Fitzgerald (Fitzcarraldo) is an even better character. We love dreamers and Fitz may be the greatest dreamer ever created on film. Kinski in his white suit with his "Hair by Charlie Manson" manning the turret atop the Molly Aida, firing volleys of Caruso at the native tribesman. Ah, unforgettable. Herzog is a truly unique voice and has never been afraid to experiment. Fitzcarraldo is one of the experiments that succeeds 一个热爱卡鲁索...
This movie is far from perfect, but there are a few scenes here and there that are absolutly hair-raising : Kinski in a state of total exaustion at the begining, the scene in the woods when he starts to hear voices and the unbeleivable murder scene consisting of two shots disguised as one that last about 5 minutes in slow motion (it has to be seens to be beleived). The use of music is fantastic, the photography impecable. Herzog does as usual and captures another world while Kinski is plainly li...
Herzog deserves hats off, any academy award for best director. A film so beautiful should be more well known. The atmosphere is stuck with you from the beginning with the chants and the screams. The characters fit the film perfectly, besides the librarian guy. The colors were great, the shots were planned out great. The simplicity of a shadow was made so mesmerizing. I felt chills all around my body after watching this film. It had a touch with all those shadows and the shot with the vampires ha...
A friend once commented to me that what made a painting more interesting than say, just the oil on the canvas, was the story behind the painting and the story behind the person who painted it. This works ideally when applied to this wonderfully, deeply affecting film. IF you've watched this film then you must know a little about the back story and if now read the twenty other reviews posted here. The truth is what makes this film great! The truth it takes to mix this film with fact and fiction, ...
perhaps one of the most original films ever made. hauntingly beautiful. the hypnotized actors are used to an eerie and mesmerizing effect. a very subtle work. very disjointed and truly experimental这是一部末世纪寓言故事，晦涩但富有视觉表现力。
故事描述一个以玻璃制造为生的村镇，玻璃厂的工头死了，也带走了生产红宝石玻璃的秘方。工厂主想尽一切办法试图找回配方，却徒劳无功。
预言家海斯预测的坏事都变成现实，在村民中引起恐慌。海斯还预言玻璃工厂将被烧毁，人们相互仇视残杀，战火在世界各地燃起。后来...
Every Man For Himself and God Against All aka The Enigma of Kaspar Hauser is a prime slice of pre-nutter-in-the-jungle Werner Herzog and makes an interesting companion piece to Truffaut's L'Infant Sauvage/The Wild Child. Where Truffaut used his true story of a foundling more animal than boy as proof of the human soul, Herzog uses the real-life mystery of Hauser as a means of showing that society's accepted way of looking at the world may not necessarily be the most valid – as demonstrated when ...
This is an amazing experience, becoming more so the further we get from it. When I see 'Apocalypse Now, or even 'Mosquito Coast' I see this. In fact whenever I see both an actor AND a director/writer risking all in a coordinated way, I see this. And when I see a combination of fictional documentary and highly stylized poses, a memory of this glistens.
I highly suggest a periodic refresh-viewing of this film on a big screen, followed of course by 'Fizcarraldo.' with some life-affirming experienc...
这是一场女人的独角戏,一个女人的经历,她的喜怒哀乐,她面对的生活与她的包容。
所有一切皆是风景, 生命中的矛盾与抗争都化解在无言的行走中,正如徐志摩诗中写的 "轻轻的我走了，正如我轻轻的来；我轻轻的招手，作别西天的云彩。".让有佛性的幼年,如花的成年包容和丰富生生世世的轮回。做为女人, 祭奠的是死去的“我”，受孕的是轮回中的 "我" , 怀着的是生生不息的 "我" , 生命的圆依旧在不息的吐纳着，生命轮回，在自然宇宙的万象空间里已经没有什么好计较了。
某个贫瘠的国度里，艰难的甜蜜期代价你不可想象
L'histoire dévorante entre deux êtres et leurs efforts pour lutter contre un douloureux passé.
