Werner Herzog's upsetting, black and white, documentary-like EVEN DWARFS STARTED SMALL concerns the rebellion of a handful of dwarves against the institution in which they are inmates. No average-sized actors appear - just the buildings, furniture and accessories that have been constructed for (and seemingly abandoned by) them. Herzog pulls a double whammy by getting his audience to identify with his performers - indeed, they are shown to express great sensitivity and pain - but doesn't cop out ...
Werner Herzog's first film is about a young man who works out hoping to become very muscular one day. Nothing too interesting here
Original title: Die Fliegenden Ärzte von Ostafrika
Herzog documentary takes a look at some volunteers in Africa who fly around to various rural parts just to perform operations and spread the word about medicine. Even though the doctors try their best they are often met with people who either refuse to listen or are afraid of what they are actually trying to do. This is yet another fascinating film from the German director who of course would go onto make some of the best documentaries out the...
Werner Herzog's first film is a view into the mindset of the soldier who goes over the brink, but unlike many films that might explore the concept, or even Herzog's own later, arguably greater, Woyzeck, Signs of Life is about a man engulfed by the location. The setting is interesting right away; a stone fortress that men who have been wounded or just put on leave are guarding on a remote Greek island during WW2 (of course, we're never told this, which is appropriate, one can take a guess as to t...
The short is shot in B&W and is a very surreal film. Set on a greek island this short doesnt have a plot but rather follows like a documentary the tragik story of an old man who withdraws himself of the life on the island. It is told by the residents of the Island. In their Interviews they repeat their sentences over and over again. The Island is probably the last place in the world, its people are the last and the old man is the last of them...
Quiet melancholy but dam good!
在视觉和表演艺...
A group of young men break into an old deserted castle and find some uniforms and become soldiers. On the soundtrack the narrator speaks of the history of the building and eventually talks of the necessity of war.
Clever look at how boys playing war may end up taking it too far. Its a bit one note and is probably a couple of minutes too long, however there are some intriguing moments such as the change that happens as the uniforms are put on or how the military mind is ultimately operating in a...
'Herakles' is, of course, the Greek form of the name 'Hercules'. This is also the title of the first film made by the great director Werner Herzog. Produced on a bootlace budget, this short film with no soundtrack is very crude indeed. To call it amateurish, or even just plain bad, would be churlish: Herzog clearly lacked the hardware and the money to make anything better. And yet, watching this film in hindsight, there really are no glimmerings of the immense talent which Herzog would later dis...
Encounters is an almost straight forward account of Werner Herzog going to Antarctica.Invited to go by one of the scientific organizations he agreed to go because he was fascinated by life under the sea ice (see his Wild Blue Yonder which used footage from under the ice to represent an alien world) and wanted to have a chance to film life there. He also warned them it would not result in film about fluffy penguins.
This is not Shackleton's Antarctica. The main US base is more like a mining colo...
I saw this film at the AFI Film Festival a couple of months ago and it stayed with me since then. This is not your typical war movie, nor is it your typical animated film. I'd say its kind of a cross between Waking Life and Grave of the Fireflies.
The film takes place in the present. The film's director, Ari Folman, comes to the realization that he cannot remember anything from the time he served in the Israeli army during the 1982 Lebanon War. The bulk of the movie are his interviews with his ...
This is one of the craziest things I've ever seen. A beatnik lives on a raft with bathroom furnishings. He sits in the tub typing on toilet paper, which he files in the toilet. A feminine hand appears from the drain, he paints one nail, and it leaves. He opens the medicine cabinet and finds a guy shaving on the other side. "Close the door, dammit!" are the only words in the whole thing. Finally the raft is torpedoed by a toy sub and sinks.
Watch it if you ever get a chance!
超现实主义的短片
《塞纳河畔》（La Seine a rencontré Paris，尤里斯·伊文思，1958年|31分钟|35毫米|黑白|有声）以浓厚的诗情画意和温暖的人道情怀描绘了巴黎风情。影片开始，摄影机宛如轻盈的小船航行在塞纳河上，划过充满乡野气息的城郊，缓缓进入巴黎市区。接着，摄影机在塞纳河两岸驻足，展现岸边的生活场景：一个男人正在给自己补鞋，成群的市民漫无目的地闲逛，几个小痞子目不转睛地盯视在岸边拍照的女模特，恋人们旁若无人地沉溺在甜蜜的二人世界。一阵急雨袭来，人们迅速跑开。本片的创意源自法国电影史学家乔治·萨杜尔，试图在塞纳河与巴黎相逢...
I could see this short-film in the International Festival in my city, in a double-program with Johnny Guitar, directed by Nicholas Ray. It tries to show us (Occidental citizens) about the way of life in the East, in China, during the months before spring. It's nice to know how different we are, how is considered spring as a birth of life. We can see performances, works, houses, landscapes... that can make us think about cultural differences between two worlds in the same world... But, honestly, ...
那个荷兰，那个魂牵梦绕的鹿特丹
那个时间的越南承担了太多不该有的血与痛。
他说；我们微笑面对所谓生活吧。
