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Vidéocartographies : Aïda, Palestine

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片名: Vidéocartographies : Aïda, Palestine
其它片名: /VIDEOMAPPINGS : AÏDA, PALESTINE
导演: Till Roeskens
制片人: Till Roeskens
摄影: Till Roeskens
声音: the inhabitants of the Aïda camp, Palestine
片长: 46分钟
年份: 2008年
类型: 纪录片
国别: 阿拉伯
语言: 阿拉伯语
格式:

影片概述 . . . . . .

一开始只有一张白纸。慢慢的,白纸上慢慢开始有了线条。线条越变越多,彼此重叠。最后形成了一幅图画。线条组成了一幅地图,有房子和地理方向,还有非常细致的道路和路障。事实上,这些东西只是单薄的专辑。随着孩子们讲的故事,男男女女的声音,六张纸慢慢的有了生命。这些声音来自纸的背面。这就是声音想要说明的东西。因为即使是不存在地方也会占据一定的空间,他们说他们在巴勒斯坦,在阿伊达的难民营里,那里离耶稣诞生的地方不远。他们说他们没有真实身份,没有安全感,没有明确的未来。流放、呻吟、背井离乡,这些组成了一幅缓慢变化的画面,被藏匿的受害者的唯一的证明—声音和凌乱的符号。
On screen: nothing but another screen. At first untouched, a blank sheet of paper is slowly being filled with more or less straight lines. Then these lines grow, push and cross each other, to finally form a drawing, a layout; they unfold a topography, mark places, build houses, give directions, describe in great detail tangles of roads and obstacles. In fact, they are laying down flat biographies. Six sheets slowly come to life that way, one after another, following the rhythm of stories told by children, women or men voices, of people we never get to see. Where are these voices? Behind the sheets. Of course, but where else? Nowhere: that is precisely what the voices are trying to say. Or rather, because even nowhere persists on taking up some space, they say that they are in Palestine, in the Aida refugee camp, not far from the well-known village where Christ was born. They say that they have no real identity, no protection, no definite tomorrow. Exile, mourning, parted space, it all creates a slow-motion animation, the only visible testimony of an experience whose victims are de facto concealed: merely voices and shyly scribbled signs.

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