We Live in Public
片名: | We Live in Public |
---|---|
其它片名: | 众目睽睽/公共生活 |
导演: | Ondi Timoner |
制片人: | Ondi Timoner, Keirda Bahruth |
摄影: | Vasco Nunes, Max Heller |
声音: | Travis MacKay |
剪辑: | Ondi Timoner, Joshua Altman |
音乐: | Ben Decter |
片长: | 90分钟 |
年份: | 2008年 |
类型: | 纪录片 |
国别: | 美国 |
语言: | 英语 |
格式: |
影片概述 . . . . . .
让你的生活24小时曝光在摄像机下,你觉得会怎样。
本片记录了互联网先锋Josh Harris十年来的生活。包括他组织的“we live in public”活动,以及他自己参与的同类活动。他的生活会发生怎样的变化。。。。。。
Calling all voyeurs and exhibitionists! Internet pioneer Josh Harris has spent his life implementing his unique vision of the future, where technology and media dictate human social interaction and define our personal identity. At the turn of the millenium, Harris launched an art experiment called Quiet: We Live in Public. He created an artificial society in an underground bunker in the heart of New York City. More than 100 artists moved in and lived in pods under 24-hour surveillance in what was essentially a human terrarium. They defecated, had sex, shared a transparent communal shower—all on camera. On January 1, 2000, after 30 days, the project was busted by FEMA as a “millennial cult.” Undeterred, Harris struck again, this time as his own subject. Rigging his loft with 32 motion-controlled cameras, he convinced his girlfriend to allow him to record streaming video of every moment of their lives from the toilet to the bedroom. The project backfired, his relationship imploded, and Harris went broke. Mentally unhinged, he fled to an apple farm in upstate New York. Sundance award winner Ondi Timoner (#_5_ won the Grand Jury Prize in 2004) chronicled Harris for a decade, culling through thousands of hours of Harris’s own footage and coupling it with rousing vérité of her own. The result is a fascinating, sexy, yet cautionary, tale where we all become Big Brother.
本片记录了互联网先锋Josh Harris十年来的生活。包括他组织的“we live in public”活动,以及他自己参与的同类活动。他的生活会发生怎样的变化。。。。。。
Calling all voyeurs and exhibitionists! Internet pioneer Josh Harris has spent his life implementing his unique vision of the future, where technology and media dictate human social interaction and define our personal identity. At the turn of the millenium, Harris launched an art experiment called Quiet: We Live in Public. He created an artificial society in an underground bunker in the heart of New York City. More than 100 artists moved in and lived in pods under 24-hour surveillance in what was essentially a human terrarium. They defecated, had sex, shared a transparent communal shower—all on camera. On January 1, 2000, after 30 days, the project was busted by FEMA as a “millennial cult.” Undeterred, Harris struck again, this time as his own subject. Rigging his loft with 32 motion-controlled cameras, he convinced his girlfriend to allow him to record streaming video of every moment of their lives from the toilet to the bedroom. The project backfired, his relationship imploded, and Harris went broke. Mentally unhinged, he fled to an apple farm in upstate New York. Sundance award winner Ondi Timoner (#_5_ won the Grand Jury Prize in 2004) chronicled Harris for a decade, culling through thousands of hours of Harris’s own footage and coupling it with rousing vérité of her own. The result is a fascinating, sexy, yet cautionary, tale where we all become Big Brother.
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