Baisers volés
片名: | Baisers volés |
---|---|
其它片名: | 偷吻 |
导演: | François Truffaut |
编剧: | François Truffaut, Claude de Givray |
制片人: | François Truffaut, Marcel Berbert |
摄影: | Denys Clerval |
声音: | René Levert |
剪辑: | Agnès Guillemot |
主演: | Jean-Pierre Léaud, Claude Jade, Delphine Seyrig |
音乐: | Antoine Duhamel |
片长: | 90分钟 |
年份: | 1968年 |
类型: | |
国别: | 法国 |
语言: | 法语 |
格式: | |
制作机构: | s Films du Carrosse |
影片概述 . . . . . .
I saw this film not long after it first came out. I was at university, and about the same age as Antoine Doinel in the film. I was charmed by it then, and I have remained charmed by it ever since. I have seen it another 2 or 3 times in the more than 30 years since then.
A few scenes are prominent in my memory. The visit to the brothel after his discharge from the army, and Antoine's rejection there of the girl who refused to kiss. The scene where Antoine repeats the name of Fabienne Tabard, and then his own name, twenty or so times. Fabienne's hesitant offer to Antoine. The self-possession and delicately serene beauty of Christine. Antoine's written proposal and Christine's written acceptance (beautifully described in a comment here by OliverLamar).
I do not think Truffaut was attempting to make any deep statements about life or love, and certainly not politics, with this film. He was showing some incidents from the lives of two young adults, and pointing up their essential innocence. He had a very observant eye and the gift of being able to paint a picture with a few simple strokes, and in this film he uses those gifts fully. It's a lovely film.
本片是特吕弗著名的“安托万系列”的第三部,但影迷通常忽视短片《Antoine et Colette》误将其认作第二部。
23岁的Antoine Doinel(Jean-Pierre Léaud 让-皮埃尔•李奥)从军队逃出后,虽侥幸逃脱惩罚,却因殴打警察入狱,不良记录对他找工作造成妨碍,他先后做过旅店守门人、私家侦探等职业。过程中,Antoine重又邂逅Colette(Marie-France Pisier),Colette已同男友分手,两人玩起亲密有时疏离有时的游戏,而按客户要求混进一家鞋店盯梢风情万种的老板娘时,他又将其迷上,感情的天平开始在两个女人之间摇摆。
A few scenes are prominent in my memory. The visit to the brothel after his discharge from the army, and Antoine's rejection there of the girl who refused to kiss. The scene where Antoine repeats the name of Fabienne Tabard, and then his own name, twenty or so times. Fabienne's hesitant offer to Antoine. The self-possession and delicately serene beauty of Christine. Antoine's written proposal and Christine's written acceptance (beautifully described in a comment here by OliverLamar).
I do not think Truffaut was attempting to make any deep statements about life or love, and certainly not politics, with this film. He was showing some incidents from the lives of two young adults, and pointing up their essential innocence. He had a very observant eye and the gift of being able to paint a picture with a few simple strokes, and in this film he uses those gifts fully. It's a lovely film.
本片是特吕弗著名的“安托万系列”的第三部,但影迷通常忽视短片《Antoine et Colette》误将其认作第二部。
23岁的Antoine Doinel(Jean-Pierre Léaud 让-皮埃尔•李奥)从军队逃出后,虽侥幸逃脱惩罚,却因殴打警察入狱,不良记录对他找工作造成妨碍,他先后做过旅店守门人、私家侦探等职业。过程中,Antoine重又邂逅Colette(Marie-France Pisier),Colette已同男友分手,两人玩起亲密有时疏离有时的游戏,而按客户要求混进一家鞋店盯梢风情万种的老板娘时,他又将其迷上,感情的天平开始在两个女人之间摇摆。
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