El honor de las injurias
片名: | El honor de las injurias |
---|---|
其它片名: | 不公正的尊敬 |
导演: | Carlos García-Alix |
剪辑: | Carlos Álvarez García |
主演: | Felipe Emilio Sandoval |
片长: | 6分钟 |
年份: | 2006年 |
类型: | 纪录片 |
国别: | 西班牙 |
语言: | 西班牙语 |
格式: | |
制作机构: | Carlos Álvarez García Producciones |
影片概述 . . . . . .
关于二十世纪初西班牙最臭名昭著的匪徒Felipe Emilio Sandoval(1886-1939)的纪录片,他化名“Doctor Muniz”在西班牙内战的混乱时期大肆掠夺有钱人的财物,号称是“贵族的杀手”,出生在马德里贫民窟的Felipe从小就立志用暴力来实现“社会变革”的理想,后来成为一个彻底的无政府主义者。本片全部为黑白胶片拍摄,无访谈形式,只用旧照片和很多珍贵的有关十九世纪末马德里人们生活景象的影像资料所组成。
Documentary examining the life and times of Felipe Emilio Sandoval (1886-1939), aka Doctor Muniz, whose belief in social revolution turned him first into a famous robber and man of action and then, during the Spanish Civil War, into a ruthless murderer.
This is the testimony of an obsession, the passionate search for an old anarchist gunman, Felipe Emilio Sandoval, aka Doctor Muniz (1886-1939). Born in the slums of Madrid, earning his living as a bricklayer, his life is marked by the faith in a redeeming dream: social revolution. This will first turn him into a famous robber and man of action and then, during the Spanish Civil War, into a ruthless murderer. With the material from archives and registers and a selection of old movies and photographs, he tries to reconstruct the course of his life and to answer the question of who Felipe Sandoval really was
Documentary examining the life and times of Felipe Emilio Sandoval (1886-1939), aka Doctor Muniz, whose belief in social revolution turned him first into a famous robber and man of action and then, during the Spanish Civil War, into a ruthless murderer.
This is the testimony of an obsession, the passionate search for an old anarchist gunman, Felipe Emilio Sandoval, aka Doctor Muniz (1886-1939). Born in the slums of Madrid, earning his living as a bricklayer, his life is marked by the faith in a redeeming dream: social revolution. This will first turn him into a famous robber and man of action and then, during the Spanish Civil War, into a ruthless murderer. With the material from archives and registers and a selection of old movies and photographs, he tries to reconstruct the course of his life and to answer the question of who Felipe Sandoval really was
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