Mistons, Les
片名: | Mistons, Les |
---|---|
其它片名: | 顽童/憧憬 |
导演: | François Truffaut |
编剧: | Maurice Pons |
摄影: | Jean Malige |
主演: | Gérard Blain, Bernadette Lafont, Michel François |
音乐: | Maurice Leroux |
片长: | 18分钟 |
年份: | 1958年 |
类型: | 短片 |
国别: | 法国 |
语言: | 法语 |
格式: | |
制作机构: | Les Films du Carrosse |
影片概述 . . . . . .
Francois Truffaut's pre-400 Blows toss-away is an understatedly entertaining little 18- minute film that takes a group of horny little boys and makes them a collective protagonist pursuing an older woman to play pranks on her, frustrated because they know that they could never have her for so many clear reasons. They antagonize her lovers and watch her simply be beautiful.
This tongue-in-cheek little whatever shows Truffaut and short story writer Maurice Pons's characters hustling all the woods, the streets, on bridges, and even inside a rural arena, and the kids have an exceedingly realistic affection to them, as this is in fact what boys their age would do with no technology or attention span. They play-fire guns at each other and devise their practical jokes against the lovers.
The object of affection is unbelievably attractive, and naturally so, and really that is all we truly know about her, as it's all any of these kids know about her. This short has the muted lack of direct involvement that Truffaut tends to have, and despite that there isn't enough time to get to know these kids or or their crush, it's enhanced to have the inscrutable, almost objectified feature in her character
This tongue-in-cheek little whatever shows Truffaut and short story writer Maurice Pons's characters hustling all the woods, the streets, on bridges, and even inside a rural arena, and the kids have an exceedingly realistic affection to them, as this is in fact what boys their age would do with no technology or attention span. They play-fire guns at each other and devise their practical jokes against the lovers.
The object of affection is unbelievably attractive, and naturally so, and really that is all we truly know about her, as it's all any of these kids know about her. This short has the muted lack of direct involvement that Truffaut tends to have, and despite that there isn't enough time to get to know these kids or or their crush, it's enhanced to have the inscrutable, almost objectified feature in her character
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