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Femme d'à c?té, La

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片名: Femme d'à c?té, La
其它片名: 隔墙花
导演: François Truffaut
编剧: François Truffaut, Suzanne Schiffman, Jean Aurel
制片人: François Truffaut
摄影: William Lubtchansky
声音: Jacques Maumont, Daniel Couteau, Michel Laurent
剪辑: Martine Barraqué
主演: Henri Garcin, Gérard Depardieu, Fanny Ardant
音乐: Georges Delerue
片长: 106分钟
年份: 1981年
类型: 剧情
国别: 法国
语言: 法语
格式:
制作机构: Les Films du Carrosse, Grenoble, Isère, France

影片概述 . . . . . .

In a small village, two houses face one another across the old village street. In one house lives Bernard Coudray, his wife and his young children, while the other house is empty. When new neighbors move into the house Bernard meets Philippe Bauchard and is polite – but later Philippe's wife arrives at the new home and Bernard is shocked to recognise her as Mathilde, a lover from many years ago. Both of them keep this fact from their respective partners and try to keep themselves to themselves as much as they can but it is only a matter of time before repressed passions stir within one another and their hearts are reopened.

I'm not trying to enforce stereotypes here but there is something about this film that is undeniably, well, French. The emotions are destructive, the passion searing, the drama never giving into shouting but always calmly talking about their pain. Unfortunately (for me anyroads) this made the film hard to really get into, because I was never able to identify with their feelings (even if I could with their basic situation) or rather the way they handled them. So the consumed love or the repressed anger never convinced or engaged me. This left the film to just keep moving and keep things happening but, in a very Gaelic fashion, the drama tends to be all in the heart rather than on the screen and it never really is gripping as a story. Towards the end it distinctly slow and made me feel that it should have ended sooner – the predictable and cold ending didn't help either.

The direction is good and makes the film feel intimate, but not to the point where it covered for the lack of the same in the script. The cast do well even if I felt they weren't acting like real people would in the same situation. Depardieu works hard to be heart broken and wracked – and he does it well despite me feeling like he isn't totally sold on how he is acting. Ardant is also good but again she overplays her actions. Both Garcin and Baumgartner are poor – far too stiff and accepting of the adultery and again all part of the film not convincing me.

Overall this is an OK film but it never really convinced me (how many times have I said that now!). It is interesting for the first half and quite engaging but it doesn't really keep in reality and predictably becomes all very tragic and French. The cast try their best and the director adds intimacy but the script is not as good as it should have been and I never felt that I was following real relationship at any point.

特吕弗晚年黑色犯罪题材的影片,流畅地将一段不合时宜而招致悲剧后果的爱情展现出来,深刻表现出主人公不能自拔困顿复杂的心理。
  《隔壁的女人》中的男女主角本是早年的一对恋人,阴差阳错,岁月弄人,多年前分离后已各组家庭的两个冤家,又巧遇住成了隔壁邻居,于是旧爱新情迅速燃烧。女主角与男主角为爱癫狂,最后竟杀害了男主角之后也自刎了结。

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4444(创建者)