在这部电影中讲述了伊朗沿海地区一个小村庄从事的地下经济活动，从一开始的走私货物到人口，形势变得更加严峻。墨图是这伙由年轻人组成的犯罪团伙的首领，经营着通过海上船只走私大量货物的非法事业。他们的家族成员也参与其中，只不过墨图的父亲却在偷渡外国人的时候意外失踪了。没有人知道他去了哪里也不确定他是否还活着。墨图的生意也变得更加危险，他需要面对的还有来自妻子日益加重的压力以及威胁到自己的疾病。
影片关于身份的找寻，核心触及印尼的种族歧视尤其是针对华人的歧视问题，包裹得好似一个青梅竹马的爱情故事，其实是重新看回印尼1998年5月震惊世界的种族暴乱——到2009，也算10周年。片子的人物设置复杂，多线并行，也偶尔彼此交错，基本结合了三代印尼华人：女主角琳达的母亲是一名前羽毛球世界冠军——她也是华人；父亲是一名失明的牙医，祖父OPA；她的童年玩伴因为是华裔而倍受欺辱，父母终究带着他离开琳达的社...
《东北亭东北》讲女瘴述在抡东灶北砧未成殷年围的拼女桃孩吨晓麻雪白天咱在妖服装写市枚场鸭卖衣服乍，登夜晚经嚏常帮老投伙板交辈际颖以维懂护她的人圆及厌关头钒系。富科清有而露有心诧洱机疤的鉴伟哥看掩上孺了晓疹雪岛，晓雪陷坚入到谢感情椽暗的迷雾蛾中，厂但饶她挝却意痞颖外阴地顷怀上星了举伟燃哥窑的孩子躇。眨瞪伟哥让议晓雪丈沼的老钙板劝哉说晓雪拿影掉孩邢子岳，雍但劫晓雪塘却充碧觉屹得自己乙寺受到侮喧攒辱乾，垣为回智剩到窑原道先荫的生漫射活轨壹迹，腋主晓雪糙蛛选幢择了湛堕岩胎…员…
现在我在做一个关于中国当代艺术的纪录片，里面采访的人，都是如今颇有分量的艺术人物，比如严培明、岳敏君、侯翰如、费大为、徐江、徐冰等等，我一直在追问他们，你们当年为什么80年代都去了美国？？
他们给了很多不同的答案，还是要提到东西方的问题(和这里要讨论的问题是相通的)。回到中国摇滚乐的话题上来，摇滚从形式上来说是很容易接受西方影响的东西，我们在内心需要爆炸的时候，等到了它的到来，于是，我们都张开了双臂，热情地拥抱它。我们跟着商业机制走，我们幻想就此可以一生过自由的生活，可以坐上大篷车，每天去演出，...
Werner Herzog's upsetting, black and white, documentary-like EVEN DWARFS STARTED SMALL concerns the rebellion of a handful of dwarves against the institution in which they are inmates. No average-sized actors appear - just the buildings, furniture and accessories that have been constructed for (and seemingly abandoned by) them. Herzog pulls a double whammy by getting his audience to identify with his performers - indeed, they are shown to express great sensitivity and pain - but doesn't cop out ...
Werner Herzog's first film is about a young man who works out hoping to become very muscular one day. Nothing too interesting here
Original title: Die Fliegenden Ärzte von Ostafrika
Herzog documentary takes a look at some volunteers in Africa who fly around to various rural parts just to perform operations and spread the word about medicine. Even though the doctors try their best they are often met with people who either refuse to listen or are afraid of what they are actually trying to do. This is yet another fascinating film from the German director who of course would go onto make some of the best documentaries out the...
Werner Herzog's first film is a view into the mindset of the soldier who goes over the brink, but unlike many films that might explore the concept, or even Herzog's own later, arguably greater, Woyzeck, Signs of Life is about a man engulfed by the location. The setting is interesting right away; a stone fortress that men who have been wounded or just put on leave are guarding on a remote Greek island during WW2 (of course, we're never told this, which is appropriate, one can take a guess as to t...
The short is shot in B&W and is a very surreal film. Set on a greek island this short doesnt have a plot but rather follows like a documentary the tragik story of an old man who withdraws himself of the life on the island. It is told by the residents of the Island. In their Interviews they repeat their sentences over and over again. The Island is probably the last place in the world, its people are the last and the old man is the last of them...
Quiet melancholy but dam good!
在视觉和表演艺...
A group of young men break into an old deserted castle and find some uniforms and become soldiers. On the soundtrack the narrator speaks of the history of the building and eventually talks of the necessity of war.
Clever look at how boys playing war may end up taking it too far. Its a bit one note and is probably a couple of minutes too long, however there are some intriguing moments such as the change that happens as the uniforms are put on or how the military mind is ultimately operating in a...
'Herakles' is, of course, the Greek form of the name 'Hercules'. This is also the title of the first film made by the great director Werner Herzog. Produced on a bootlace budget, this short film with no soundtrack is very crude indeed. To call it amateurish, or even just plain bad, would be churlish: Herzog clearly lacked the hardware and the money to make anything better. And yet, watching this film in hindsight, there really are no glimmerings of the immense talent which Herzog would later dis...
Encounters is an almost straight forward account of Werner Herzog going to Antarctica.Invited to go by one of the scientific organizations he agreed to go because he was fascinated by life under the sea ice (see his Wild Blue Yonder which used footage from under the ice to represent an alien world) and wanted to have a chance to film life there. He also warned them it would not result in film about fluffy penguins.
This is not Shackleton's Antarctica. The main US base is more like a mining colo...
I saw this film at the AFI Film Festival a couple of months ago and it stayed with me since then. This is not your typical war movie, nor is it your typical animated film. I'd say its kind of a cross between Waking Life and Grave of the Fireflies.
The film takes place in the present. The film's director, Ari Folman, comes to the realization that he cannot remember anything from the time he served in the Israeli army during the 1982 Lebanon War. The bulk of the movie are his interviews with his ...
This is one of the craziest things I've ever seen. A beatnik lives on a raft with bathroom furnishings. He sits in the tub typing on toilet paper, which he files in the toilet. A feminine hand appears from the drain, he paints one nail, and it leaves. He opens the medicine cabinet and finds a guy shaving on the other side. "Close the door, dammit!" are the only words in the whole thing. Finally the raft is torpedoed by a toy sub and sinks.
Watch it if you ever get a chance!
超现实主义的短片
《塞纳河畔》（La Seine a rencontré Paris，尤里斯·伊文思，1958年|31分钟|35毫米|黑白|有声）以浓厚的诗情画意和温暖的人道情怀描绘了巴黎风情。影片开始，摄影机宛如轻盈的小船航行在塞纳河上，划过充满乡野气息的城郊，缓缓进入巴黎市区。接着，摄影机在塞纳河两岸驻足，展现岸边的生活场景：一个男人正在给自己补鞋，成群的市民漫无目的地闲逛，几个小痞子目不转睛地盯视在岸边拍照的女模特，恋人们旁若无人地沉溺在甜蜜的二人世界。一阵急雨袭来，人们迅速跑开。本片的创意源自法国电影史学家乔治·萨杜尔，试图在塞纳河与巴黎相逢...
