再次出现的牛逼主演名单
Cast (in credits order)
Willem Dafoe ... Himself - Honoree
Edurne Ormazábal ... Herself - Host
Najwa Nimri ... Herself - Co-Host
rest of cast listed alphabetically:
Woody Allen ... Himself (archive footage)
Pedro Almodóvar ... Himself (archive footage)
Lauren Bacall ... Herself (archive footage)
Christian Bale ... Patrick Bateman (archive footage)
Juan José Ballesta ... Himself - Audience Member
Antonio Banderas ... Himself (archive foot...
请看牛逼的主演名单：
主演
阿尔弗雷德·希区柯克/Alfred Hitchcock (I) ………… Himself (archive footage)
斯坦利·库布里克/Stanley Kubrick ………… Himself (archive footage)
弗朗科依斯·特吕弗/François Truffaut ………… Himself (archive footage)
史蒂文·斯皮尔伯格/Steven Spielberg (I) ………… Himself
罗宾·威廉斯/Robin Williams (I)(美国) ………… Himself (archive footage)
John Barrymore (I)/John Barrymore (I) ………… Himself (archive footage)
Saul Bass/Saul Bass ………… Himself (archive footag...
Francois Truffaut's pre-400 Blows toss-away is an understatedly entertaining little 18- minute film that takes a group of horny little boys and makes them a collective protagonist pursuing an older woman to play pranks on her, frustrated because they know that they could never have her for so many clear reasons. They antagonize her lovers and watch her simply be beautiful.
This tongue-in-cheek little whatever shows Truffaut and short story writer Maurice Pons's characters hustling all the woods...
This film is one of the greatest I have ever seen. It depicts some events in the life of Antoine Doinel, a young French boy who gets into a lot of trouble no matter what he does. This was the first film by Francois Truffaut, and I believe that it is filmed with such an innocence that you can really feel some of the emotions that Antoine feels. I love the simple style of this film, and I think it adds to its charm. The story is can even be painful to watch as one sees all of the things that happe...
there was the Nouvelle Vague. Tire au flanc 62 it's a wild comedy about the army. Truffaut and his friend Claude De Givray (Stolen Kisses and Bed and Board co-writer) made this film to laugh at institution that ruined part of their lives. Fast paced and deliberate chaotic, Tire au flanc 62 tells the story of two young men trying to make fun of their duty at the army.
Very close to the Cahiers du Cinema point of view about the modern cinema, this movie it was a step forward of the genre and one ...
Masterful French director François Truffaut followed up his hard-hitting, absorbing, highly acclaimed drama LES QUATRE CENTS COUPS (1959) with a original film noir comedy, which is also considered one of his masterpieces and one of the most important movies of the Nouvelle Vague. Based on the US crime novel "Down There" by David Goods his visually fascinating, humanistic, clever and inventive comedy drama uses the story of a lonely, melancholic cafe piano man who through his criminal brothers ge...
This picture is worth watching just for Truffaut's terrific episode...it's too great for words. What a wonderful time that most have been back then when teenagers went to Mussorgsky recitals... not very common today, unfortunately. Anyway. Unlike American films which often show love in a artificial way, Truffaut and the other directors of the New Wave show realistic love, how it can be in real life. I love the way they film. The next episode (in Rome) is not quite as good as Truffaut's. In fact,...
Those with heavy sensibilities along the lines of conventional "morality" seem to have a hard time allowing themselves to enjoy this film for what it is: A beautiful visual poem about the passing of time and the progression and growth of an unusual friendship. This friendship may be unusual but feels completely natural and true. Jules and Jim if anything, exhibit great maturity in their relationship with each other and Catherine. It's refreshing to see a film dealing with a deep love, friendship...
卞仲耘，1916年生，女，北京师范大学附属女子中学副校长。从1966年6月初开始，她被“揭发”和“斗争”。1966年8月5日，她被该校红卫兵学生打死于校中。
一 被害
1966年8月5日，北京师范大学附属女子中学的红卫兵“斗争”“黑帮”。他们“斗争” 了学校的五个负责人：副校长卞仲耘，胡志涛，刘致平，教导主任梅树民和副教导主任汪玉冰。当时这个学校没有正校长。
在7月底，毛泽东下令把派到各学校领导文革的“工作组” 撤出学校。7月31日，这所中学的红卫兵宣布成立。工作组离开学校后，控制学校的是红卫兵组织以及工作...
The title of the film, LA PEAU DOUCE (THE SOFT SKIN) is notable for the multiple images and meanings it suggests. Truffaut's fourth feature film is study of the delicate balances of life and the important role that happenstance can play.
The opening sequence sets everything in motion. Pierre is rushed to the Paris airport and very nearly misses his plane for Lisbon. Had he missed that plane, we would not have the particular chain of events that follow. Chance meetings and ironic occurrences are...
What an amazing film. I've heard of it for a long time, but only just had the opportunity to see it. The story is based on Ray Bradbury's novel of the same name and has been cleverly adapted to film. There are a lot of clever visual clues in this film, and it stands a couple of watches - just to make sure that you pick them all up! Apparently it is Truffaut's first venture into colour film, and this yields quite interesting results, at times quite colourful. If you are expecting a Sci-Fi film - ...
I saw this film not long after it first came out. I was at university, and about the same age as Antoine Doinel in the film. I was charmed by it then, and I have remained charmed by it ever since. I have seen it another 2 or 3 times in the more than 30 years since then.
A few scenes are prominent in my memory. The visit to the brothel after his discharge from the army, and Antoine's rejection there of the girl who refused to kiss. The scene where Antoine repeats the name of Fabienne Tabard, and...
je l'aime cette film. The calculated murders, the irony, and the attention to detail make it a stunning work of art. pay particular attention to her clothing and the names of her victims - even julie kohler's name itself is significant. once you've watched it once for the story, try viewing it again to take in the complete scope of truffaut's work.
法国新浪潮导演法兰索瓦．楚浮向他最崇拜的导演希契科克致敬之作。原著是《后窗》作者威廉．艾瑞许的同名小说，描写一名刚结婚的丈夫在步出教堂时就遭五名醉...
Usually, when we hear about a Truffaut movie, we think of "The 400 Blows", "The Wild Child", or something similar. "Mississippi Mermaid" is a shocker in that respect. It wasn't a bad movie, but I didn't derive that it was actually trying to say anything. In some sense, it almost seemed like the sort of movie that they just made for fun (Truffaut wouldn't have done that, would he?). It focuses on Reunion resident Louis Mahe (Jean-Paul Belmondo) marrying Julie Roussel (Catherine Deneuve), who may ...
An absolutely enthralling film, based on the true story of a real-life boy "Tarzan". Discovered in a French Aveyron forest, in the late 1700s, "The Wild Child" was considered to be a deaf and dumb savage. But, young doctor Jean Itard (played by director Francois Truffaut) believes he can "civilize" the child. With tentative permission from the child's guardian "Institute for the Deaf and Dumb", Dr. Itard takes the savage boy into his home. Itard becomes the child's teacher and, ultimately, surro...
