2008年从国企内退下来的老张,选择贷款开了一家小型贸易公司,下半年的金融危机,让老张的贸易公司举步为艰,妻子经常因为一些鸡毛蒜皮的小事,让老张回到家里也不得安宁,孩子也要在2009年面临大学毕业.老张在人生的各个角色之间周旋
《井口》是我们第一集，在拍完井口老街后不到一个月就看到拆迁开始的新闻，所以我们对此感到非常庆幸。也希望这个片子能带给当地居民一些回忆。
导演阐述:《消失的沙坪坝》系列纪录片是由我爱沙坪坝网站影视团队原创拍摄制作，我们纪录沙区正在消失的老街、人文故事、历史人物……出于对沙区的热爱和对纪录片的兴趣，利用我们有限的资源与设备长期对沙区踩点拍摄。希望能够推出一些有价值的好片。
saw "2000" just once, yet, like all Wenders' films, I still remember glimpses.
"The Wrong Move(ment)" was the feature attraction, it was 1978, and they were a good pair. "2000" is essentially a 20-minute musical journey.
Traveling thru the deep South, with a bluesy, rambling pace to it. A Dylanesque character .. who's "got no expectations, to pass .. this way .. again" (yes, music by the Stones and Hendrix).
I didn't realize the "film" was shot in 1969. It could pass for a student film, but t...
A tight little gem from Wenders, as he and Handke discuss the merits of American music and its relevance in our culture. Typical langorous pans across cityscapes with a kicking soundtrack from the 3 American LP's of the title. A philosophical road journey that makes you think. Well worth viewing
Based on the novel "Die Angst des Tormannes beim Elfmeter" by Austrian existentialist writer, Peter Handke, The Goalie's Anxiety at the Penalty Kick is a powerful and unnerving film by the great German director Wim Wenders (Wings of Desire, Paris, Texas). As the film opens, the goalie, Joseph Bloch, (Arthur Brauss) is suspended from a soccer game in Vienna for missing a penalty kick. Seemingly not upset, he goes into town, then commits an unplanned and seemingly unmotivated murder of a cinema ca...
Between the years 1971 and 1977, Wim Wenders could do no wrong. Yet, even with his best films already on the screen, mainstream success eluded him until 1984, when his over- romanticized Paris, Texas (a fanboy-esquire ode to John Ford and the American landscape) established him as one of Cannes' most beloved filmmakers. Perhaps as a result of commercial success coming from his sappiest work to date, Wenders' chased a tangent that spiraled into career insignificance after 1993's Faraway, So Close...
And, to be honest with you, I haven't seen "The Wrong Move" in many years.
That said, I possibly lacked the life experience(s) to understand the unspoken message. But I did find the "freeflow" aspect of the journey interesting. Certain visual images along the way were filmed matter-of-fact, like Truffaut's characters who appear dramatically and yet, have no actual connection to the story.
I remember feeling unsatisfied with the film's resolution. (How the "journey" was resolved). But then agai...
Projection engineer Bruno Winter is pulled up alongside the River Elbe, as he sets about giving himself a shave a Volkswagen drives straight into the river in what seems to be a half hearted suicide attempt. The driver of the Volkswagen is woman troubled Robert, after getting to the river bank he finds Bruno to be a most interesting person, and the pair then set off on a road trip that will shape their respective lives and outlooks considerably.
Shot in 11 weeks between July 1st and October 31s...
Jonathan Zimmerman (Bruno Ganz) is an easy going Swiss picture framer living in Germany who believes he is dying from a rare blood disease. When he makes the acquaintance of Tom Ripley (Dennis Hopper), an art dealer of dubious reputation, he is faced with a profound moral question. Should he commit a murder for Ripley's underworld associate, Raoul Minot (Gérard Blain) in order to guarantee the lifelong security of his wife Marianne (Liza Kruezer) and son Daniel (Andreas Dedecke)? Based on the no...
this is a film i forced myself to watch in order to complete a speech in german about wim wender's amerkiabild. it is all about the death of a cancer ridden man. that is about all of the plot i could figure out.
the images, as is usual with wender's films, are striking and pungent to the hollywood-movie-goer senses. the scenes in this movie are about the slowest i have ever seen. i did find a few rewarding scenes here and there scattered throughout the chaos. the graduate monkey, the speech at ...
Hammett is an entertaining film noir. Mixing up the real Hammett with his various creations as well as their cinematic renditions, this film tells a neat little mystery tale in late '20s San Francisco. Freddy Forrest does a good job as Hammett (which he would reprise in the 1992 HBO biopic Citizen Cohn). The music by John Williams has just the right moodiness and romanticism that he also infused to a more acute degree in Body Heat. Even if some of Hammett does not make any sense and the characte...
Wim Winders directed this somewhat interesting documentary filmed during the 1982 Cannes Fil Festival. Winders set up a camera in a hotel room and he'd ask various directors to come in and say what they thought about the future of cinema. Werner Herzog, Steven Spielberg, Michelangelo Antonioni, Jean-Luc Godard, Paul Morrissey and various others take part and offer their thoughts on the subject. The opinions very from Herzog not fearing the future to Spielberg showing high concern over the budget...
Between commercial successes like Paris Texas and Angels over Berlin, Wenders still manages to make the kind of seemingly irrelevant road movies such as Santiago and State of Things, that have made him the cult hero he is. Here a cheesy scifi B-movie is interrupted at a climatic scene to follow people just hanging around talking. Which is more cinematic is a question that comes back over and over again. Actively pursuing a life, no matter how mundane or screwed up, seems to be more rewarding tha...
At face value, the screen story, about a dysfunctional family, is weak. The plot is not really credible. The lead character (Travis) is an older man who in the first ten minutes of the film wonders alone in the desert like a horse with no name, seemingly suffering from severe trauma. But Travis' later behavior and the behavior of other characters in the film are not believable, given this opening gambit.
However, if we discard our need to interpret behavior rationally, then the film works, eith...
与教父三部曲的导演弗朗西斯福特科波拉的对话
