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除草人的故事

2008-5-22 14:33  来源:中国纪录片交流周 作者:小川绅介回顾展   感谢 fanhallfilm 的投递


 


日本/黑白/8mm(放映16mm/82分钟/中文字幕


 


制片:波多野雪枝


 


演:福田克彦


 


影:瓜生敏彦,福田克彦


 


解说配音:清水


 


:小向京子


 


题字:石毛博道


 


混音:浅沼幸一


 


图片摄影、绘画:波多野雪枝


 


中文字幕翻译:冯艳


 


内容介绍:


 


    千叶县三里,染谷婆婆正一个人在田里拔草。这里是成田机场二期工程规划地。虽然土地和房屋早已被儿子卖给了机场建设公司,但84岁的染谷婆婆却没有和家人一起搬走。一边不停地拔草一边如机关枪般连发的语言的炮弹,不过是些对家人的抱怨。但不可思议地,在这些话语中,经历了明治、大正、昭和这三个时代的普通妇女的朴素的世界观和宇宙观却随处可见。


这部电影虽然是用8毫米拍摄的小品,却是福田克彦的代表作,被评为“用与恩师小川绅介完全不同的方法论,为日本的纪录片开拓了新的地平线”的划时代作品。


 


 


Japan/1973 / B&W / 16mm / 54 min/ Chinese subtitles


 


Producer: Hatano Yukie


 


Director:Fukuda Katsuhiko


 


Photography:Uriu toshihiko, Fukuda Katsuhiko


 


Narrator:Shimizu Koji


 


Music:Komukai Kyoko


 


Titles:Ishige Hiromichi


 


Sound Editor:Asanuma Yukikazu


 


Photo,Drawing:Hatano Yukie


 


Chinese Subtitles Translation: Feng Yan


 


Synopsis


 


     Grandma Someya was born in Meiji 32 [1899]. She was one of the people farming the land that was set aside for the construction of Narita airport, as shown in Ogawa Shinsuke's Sanrizuka series. She opposed the planned second phase of the airport and split with her family, so now she lives alone. The film is made up of nineteen stories told in Grandma Someya's own words: the story of her sons who have passed away; of her husband who was a barber; of a strange dream; of the time she first came to Sanrizuka to cultivate new fields; of how she once ate only matches when she was a child, and so on. As the camera follows Grandma Someya going about her farm work, these personal memories, dreams, and realities take on the form of a series of lamentations or exemplary tales. Unlike the violent Sanrizuka series, this is a modest and beautiful film: an extension of Ogawa's style in Magino Story--Raising Silkworms (1977), and a fascinating illustration of the start of a shift in the object of Japanese documentary away from society and community and towards the personal. The film was shot on 8mm and blown up to 16mm.


                                             


                                                                 -----from the YIDFF ’97 official catalog


 


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