任何一个规条都是告诉你一个方法,而机械的人则只会沿着这一个方向去走,因为他并不了解这个规条或者这个方法的背后隐含着怎样的内容。
就好像一个人在不知道正确的路线之前只能照着别人的路去走,而知道了方向以后,怎么走都能到达终点。
昆丁塔仑提洛之前没有人用这种混乱的方法讲故事,并不是他们没想过,而是被直觉立刻否决了。他们没想过讲故事本身隐含着怎么的内容。
哭泣与耳语
2004-04-28 10:08:32 danbar
2004-04-28 21:37:47 程程 (罗马)
其实我很喜欢你的文字,说不清楚为什么,也许是因为看到我们骨子里一样的孤独和坚持.我从来都不能够客观的去写评论,也许我们都是情绪化的人,不够冷酷,看上去坚硬的外壳下面,放不掉我们自己的灵魂.
昨晚连续作了两个恶梦,清晨7点从床上苏醒,软软的头发贴在脸上,突然想到你,突然想起自己,一直是双性恋.
昨晚连续作了两个恶梦,清晨7点从床上苏醒,软软的头发贴在脸上,突然想到你,突然想起自己,一直是双性恋.
2004-04-29 00:25:31 范坡坡 (北京东城)
程程和一点想法……同属性、情中人……其实……我也该算一个吧……
最近我对“残酷”的文字和感兴趣——总希望有一种东西写出来会让人在精神上被扎了一样地痛快……是的……一个足够“狠”的人才写的出来……
我发现德国这个民族是有这个特点的——战争中(从一些感性了解),我从日本人那里感受到邪恶,却从德国染那里感受到残酷……
呵呵——扯远了……
最近我对“残酷”的文字和感兴趣——总希望有一种东西写出来会让人在精神上被扎了一样地痛快……是的……一个足够“狠”的人才写的出来……
我发现德国这个民族是有这个特点的——战争中(从一些感性了解),我从日本人那里感受到邪恶,却从德国染那里感受到残酷……
呵呵——扯远了……
2004-04-29 17:00:38 一点想法
说总是不如做过隐,残酷一把吧。FANPOPO说喜欢残酷的东西,你说你爱残酷。。似乎一出戏的不同场儿。叫自己生活扭曲的唯一(有些片面,当然会有好多方法)方法就是享受执行扭曲行为前的斗挣。
INGMA BERGMAN
八点半,天已全亮,读了三页劳伦斯,睡去。三点二十五分起,洗澡,躺在浴缸里自慰,吃了一个煎蛋。后去银行取了两千块,还别人一千六后,帐户里还剩五百多块(没钱后就去做鸡,反正不愁没男人,我心想)买烟,钻进卖当劳,喝了杯咖啡,看了二十六页的沈从文。阳光跟昨天一样的好,没有什么改变,街上的情侣变多了。
ANNA(保母)对着一大堆新鲜的苹果做祷告,保佑。。。。。。。A ,MAN。 之后拿起了其中一个红苹果大口的吃起来,那是在清晨。
AGNES仍是很痛苦的躺在床上,一大早起来,几姐妹都过来看她。女人脸上的光线是一半一半的,一边在黑暗里,一边被阳光照的很亮,内心的矛盾,一面是现实一面是虚幻,一面是创想,一面是极端的痛苦。
ANNA安慰AGNES,她脱掉了衣服,让那个痛苦万分的AGNES躺在她的怀里。她用一种似乎母亲的行为,安抚着AGNES,她对她低声细语“有我在这儿,你不用怕”ANGES仍是私声力竭,痛苦万分。
AGNES死了,ANNA没有什么表情,她知道这样,AGNES也许更好受些,她活着是太痛苦了,一死,似乎所有的痛苦都会没有。而KARIN 和MARIA(AGNES的两个姐姐)确很痛苦。他们给AGNES换了安谧服,把那痛苦挣扎的手掰开,摆出很安详的姿态。
ANNA(保母):你们听到有婴儿哭的声音了吗?
(ANNA跑出,MARIA站在那里一动不动,面无表情,只是嘴里在说一个词,太是确没有任何声音,ANNA发出喘息声,声音确越来越大。她转身去看KARIN,她的表情也是一样,站在墙边上一动不动,嘴里也在说一个词儿,但也毫无声音)
(ANNA顺着哭声走进了已死的AGNES屋中,AGNES仍躺在那里,镜头猛推过去,见AGNES的眼角全是泪水。ANNA转身关上了屋门)
AGNES:are you afraid of me?
ANNA : no, not in the least.
AGNES: I am dead, you see. The trouble is I can not get to sleep. I can not leave you all. I am so tired. Can’t anyone help me?
ANNA: it is but a dream. AGNES
AGNES: no, it is not a dream. Perhaps, for you it is a dream, but not for me. I want Karin to come here.
(ANNA转身开门,中景, ANNA 开们,后面躺着已死的AGNES)
ANNA:AGNES wants Karin to come to her.
(KARIN 走过去,远处MARIN 惊惶)
AGNES:can’t you hold my hands and warm me? Stay with me until the horror is over. It is so empty all around me(KARIN猛回身,快速关上门,ANNA被关在外面)
KARIN: (似乎有点恶狠狠的)nobody would do what you ask. I am still alive. I won’t accept involvement with your death. Perchance, if I had loved you, but I don’t love you. What you ask me to do is repulsive. I am leaving you now. In a few hours I will be gone.
(KARIN 同样猛的打开门离开,ANNA在外面看着她,里面AGNES 在哭)
(ANNA转身进去,关上门)
AGNES: ANNA.
ANNA: yes.
AGNES: I want Maria to come
(ANNA 转身开门,中景这次门没全开,只漏了一道恰好能看到ANNA脸的逢,ANNA 有点犹豫)
ANNA: AGNES wants Maria to come in.
(MARIA 还没从痛苦与惊愕中出来,她慢慢的抬起头,走向了屋子,KARIN 望着MARIA “ENG” 了一声.ANNA慢慢走出,MARIA 毫无表情,似僵尸般走进屋内.似是走向死亡,ANNA迅速关上了门出去,似给死亡之门上了一道锁.MARIA吓了一跳)
AGNES: don’t be afraid. Please touch me. Please talk to me( MARIA 一点点靠近AGNES)hold me hands and warm me.
MARIA: you are me sister. I don’t want you to be alone. Oh, how sorry I am for you. Do you recall when we were small, and twilight came as we played, and both of us became frightened and wed cuddle very close and hold each other tight. It is simply the same thing now, isn’t it?
AGNES: I cant hear what you are saying. You must come closer to me, closer(MARIA 变的很痛苦,似哭) hold my hands(MARIA 哭)
(AGNES 用双手摸MARIA的脸庞,一直一直慢慢向下,把她抱住,MARIA完全压在AGNES身上了.MARIA惊惶的叫起来,挣脱掉,冲了出去.但她跟本就出不去(HERE WE GO)这正向开始我所说的那样,她似乎已经走进了死亡,且那扇通往死亡的门已经把关上了.MARIA用力的拍打着.她惊叫着,靠在了墙上.ANNA 进来, MARIA冲了出去, ANNA蹲下哭, MARIA 还是在外面道处寻找可以出去的门,可门都被锁住了)
AGNES: I’ll stay with you. I’ll stay here. Don’t cry
ANNA: you needn’t be afraid. I’ll stay by her.
MARIA: there is my daughter I must think about. She must realize that(MARIA对KARIN说).also, my husband needs me.
KARIN: it is pure morbidity, disgusting, meaningless(她变的歇斯底里)she has already begun to rot (镜头推开到她的脸上,大特写)she has foul spots on her hands( ANNA 在一边痛苦的摇头)
ANNA: I’ll take care of her( ANNA关上门,KARIN, MARIA站在门外)
(MARIA和KARIN 的特写,似乎都在想什么.KARIN嘴里又无声的发出了一个词)
(ANNA仍是脱掉一边的衣服叫AGNES躺在自己怀里,她睡着,很安静)
全家人都离开了,留下ANNA守家.点燃一支蜡烛,一点点音乐, 找出了那会AGNES的日记.
“ Wednesday, the third of September. The tang of autumn fills the clear, still air, but it
is mild and fine. My sister, Karin and Maria, have come to see me. It is wonderful to
be together again, like in the old days, and I am feeling much better. We were even
able to go for a little walk together, such an event for me. Especially since I have not
been out of doors for so long. Suddenly we began to laugh and run toward the old
swing, that we had not seen since we were children. We sat in it like three good little
sisters and Anna pushed us, slowly and gently. All my aches and pains were gone.
The people I am most fond of in all the world were with me. I could hear their
chatting around me. I could feel the presence of their bodies, the warmth of their
hands. I wanted to hold the moment fast and thought: come what may, this is
happiness. I can not wish for anything better. Now, for a few minutes, I can
experience perfection. And I feel profoundly grateful to my life which gives me so
much.
人们都说电影评论(或任何一种评论)都尽量要少有原文叙述,要主观,多想法.可我似乎完全背道而弛.我必需说,我不是一开始就抱着这种违背人们口味儿的目的的,只是写着写着,一种很强烈的,很直接,也很稳固的感情就找上你来.我是说,它会指引你该怎样做.我只是想叫读者感受到这部片子,把大家伙带入这部精典.如果能感觉到那一切,还用的着什么自以为是的主观想法吗?只需要知道它的存在,过后装在心里罢了.