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《天下就有不散的筵席》现场

2006-12-02 01:17:20   来自: judechen
  编号:2006120101
  时间:2006年12月1日
  地点:下河迷仓
  作品:《天下就有不散的筵席》
  人物:赵川
  录音:jude_chen
  下载:http://blog.sina.com.cn/u/4b15eafc0100078h
  编导 written and directored by
  赵川 ZHAO CHUAN
  摄影 photograph by
  赵川 ZHAO CHUAN
  高子鹏 GAO ZI PEN
  音乐 music by
  陈昕宜 CINDY CHEN
  字幕英文翻译 English subtitle by
  黄庆 HING WANG
  莫杰明 JEREMY MOYER
  后期制作 post- production 
  上海(冠华)榮信科技有限公司 Guanhua AV System Interaction Co., Ltd
  特别鸣谢   special thanks
  狗子 阿坚 张弛 白脸 高子鹏 君达 陈苗
  宋小鲁 蓝石 高颜松 王晶靖 张喜 吴梦
  汤光明 薄小波 全勇先 张熙 陈嘉映 老周
  全小林 唐大年 赵赵 刘毅 孙民 罗艺 老徐
  小冷 玲玲 NICOLAS JOSE
  谢杰拉面  天顺酒家  24小时牛肉面馆
  澳大利亚Asialink  北京大学
  《天下就有不散的筵席》片长68分钟,不用旁白,纪录了在2003年秋天,到2004年初,在北京这座飞速发展的城市里,一个由不少知名文人组成的圈子里,一些不愿追随潮流者,夜复一夜地疯狂喝酒游戏的生活。
  《天下就有不散的筵席》中几个主要人物,狗子是有名但并不主流的小说家。阿坚是位早年参加过民主运动的诗人。小白从小没父母照看,爱讲自己有过黑社会经历的未出过书的作家。子鹏从外地来北京读书工作的电视编导。张驰也是知名作家……片子由他们没完没了的酒席和酒席上的各种酒戏组成,其中编织进了他们的个人经历、友情和情感生活的变化,以及在急速发展中,他们喝酒的小馆也正遭遇拆毁。这群在日新月异的环境里,不愿人云亦云,想能守住点什么的人,但很快他们连自己酒桌下的地砖、头上的屋瓦都松动了。在这样的生活中,不仅狗子问自己:“我们这样手拉手扎着堆集体在这个世纪内消失吧,以狂欢的方式消失,这样我们就可以什么都不想,因为我们已不会想,更不敢想……我们会留下的将是什么?倘若真有神或上帝的话,他会这么放过我们吗?” 张驰也在问别人:“他们丫所有的倒塌都是回归自然,我们在其中倾注的所有感情都是虚妄的,都是我们对自己的感情,但我们的感情有价值吗?!”
  《天下就有不散的筵席》是一部关于在急速变迁,发展主义统领一切的中国社会中,小人物的命运。他们以喝酒这种行为──并非显得那么颓废潦倒,却是将一个个黑夜都喝得灿烂夺目。阿坚说“我们每人拍出一份健康搁在这里,这点健康我们不要了……”北京的啤酒主义者们不是群愤怒的人,这已经超越了愤怒,成了与功利社会不计成败的对歭。
  Beijing Beerism documents in 68 minutes, without voice-over, a group of distinguished and dissenting literati and their reckless bacchanalia from autumn 2003 to early 2004 in Beijing , a city enthralled in breathless development. The Chinese title refers to the existence of never ending banquets in the world.
  Among the main characters in Beijing Beerism, Gozi is a forty something novelist with fame but no market share. Ahjian is a poet over fifty, once jailed for his participation in democratic movements. Xiao Bai is a thirty something not yet published writer, loves to brag about his triad experiences. Zi Pen, a TV producer in his twenties, came from provinces to Beijing to study and work. Zhang Chi, another famous writer… The film consists of their never ending banquets and various drinking games thereof; along the way we know of their personal particulars, changes in friendship and love life, and the demise of the humble restaurant they frequent.
  These people struggle to hold on to something and be true to themselves, as seen in Beijing Beerism. But in no time the bricks at the bottom of their drinking table and the tiles on the roof overhead start to tremble and give in. Living this life, Gozi asks himself, “We shall disappear into this century en masse, hand in hand, heap on heap, and in carousal. We shall think no more, for we shall be unable to think, we dare not to think… What shall we leave behind? If there is a god, will he leave us untouched?” Zhang Chi asks the others, “Demise is a path back to nature. Our sentimentality toward demise is nothing but delusion. It is a self-serving sentimentality. But what value is there in our sentimentality?”
  Beijing Beerism is about the fate of Chinese commoners living in a fast changing society exclusively geared toward development. They assert themselves in drinking, which is less decadent than glorious. On drinking, Ahjian says, “Each of us hands down a piece of health here, this little piece of health we don’t want it anymore…” Beijing Beerists are not angry, but beyond anger; they are in a remorseless confrontation with the materialistic society.
  

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