《天下就有不散的筵席》片长68分钟，不用旁白，纪录了在2003年秋天，到2004年初，在北京这座飞速发展的城市里，一个由不少知名文人组成的圈子里，一些不愿追随潮流者，夜复一夜地疯狂喝酒游戏的生活。 《天下就有不散的筵席》中几个主要人物，狗子是有名但并不主流的小说家。阿坚是位早年参加过民主运动的诗人。小白从小没父母照看，爱讲自己有过黑社会经历的未出过书的作家。子鹏从外地来北京读书工作的电视编导。张驰也是知名作家……片子由他们没完没了的酒席和酒席上的各种酒戏组成，其中编织进了他们的个人经历、友情和情感生活的变化，以及在急速发展中，他们喝酒的小馆也正遭遇拆毁。这群在日新月异的环境里，不愿人云亦云，想能守住点什么的人，但很快他们连自己酒桌下的地砖、头上的屋瓦都松动了。在这样的生活中，不仅狗子问自己：“我们这样手拉手扎着堆集体在这个世纪内消失吧，以狂欢的方式消失，这样我们就可以什么都不想，因为我们已不会想，更不敢想……我们会留下的将是什么？倘若真有神或上帝的话，他会这么放过我们吗？” 张驰也在问别人：“他们丫所有的倒塌都是回归自然，我们在其中倾注的所有感情都是虚妄的，都是我们对自己的感情，但我们的感情有价值吗？！” 《天下就有不散的筵席》是一部关于在急速变迁，发展主义统领一切的中国社会中，小人物的命运。他们以喝酒这种行为──并非显得那么颓废潦倒，却是将一个个黑夜都喝得灿烂夺目。阿坚说“我们每人拍出一份健康搁在这里，这点健康我们不要了……”北京的啤酒主义者们不是群愤怒的人，这已经超越了愤怒，成了与功利社会不计成败的对歭。 Beijing Beerism documents in 68 minutes, without voice-over, a group of distinguished and dissenting literati and their reckless bacchanalia from autumn 2003 to early 2004 in Beijing , a city enthralled in breathless development. The Chinese title refers to the existence of never ending banquets in the world. Among the main characters in Beijing Beerism, Gozi is a forty something novelist with fame but no market share. Ahjian is a poet over fifty, once jailed for his participation in democratic movements. Xiao Bai is a thirty something not yet published writer, loves to brag about his triad experiences. Zi Pen, a TV producer in his twenties, came from provinces to Beijing to study and work. Zhang Chi, another famous writer… The film consists of their never ending banquets and various drinking games thereof; along the way we know of their personal particulars, changes in friendship and love life, and the demise of the humble restaurant they frequent. These people struggle to hold on to something and be true to themselves, as seen in Beijing Beerism. But in no time the bricks at the bottom of their drinking table and the tiles on the roof overhead start to tremble and give in. Living this life, Gozi asks himself, “We shall disappear into this century en masse, hand in hand, heap on heap, and in carousal. We shall think no more, for we shall be unable to think, we dare not to think… What shall we leave behind? If there is a god, will he leave us untouched?” Zhang Chi asks the others, “Demise is a path back to nature. Our sentimentality toward demise is nothing but delusion. It is a self-serving sentimentality. But what value is there in our sentimentality?” Beijing Beerism is about the fate of Chinese commoners living in a fast changing society exclusively geared toward development. They assert themselves in drinking, which is less decadent than glorious. On drinking, Ahjian says, “Each of us hands down a piece of health here, this little piece of health we don’t want it anymore…” Beijing Beerists are not angry, but beyond anger; they are in a remorseless confrontation with the materialistic society.
编导 written and directored by 赵川 ZHAO CHUAN 摄影 photograph by 赵川 ZHAO CHUAN 高子鹏 GAO ZI PEN 音乐 music by 陈昕宜 CINDY CHEN 字幕英文翻译 English subtitle by 黄庆 HING WANG 莫杰明 JEREMY MOYER 后期制作 post- production 上海(冠华)榮信科技有限公司 Guanhua AV System Interaction Co., Ltd 特别鸣谢 special thanks 狗子 阿坚 张弛 白脸 高子鹏 君达 陈苗 宋小鲁 蓝石 高颜松 王晶靖 张喜 吴梦 汤光明 薄小波 全勇先 张熙 陈嘉映 老周 全小林 唐大年 赵赵 刘毅 孙民 罗艺 老徐 小冷 玲玲 NICOLAS JOSE 谢杰拉面 天顺酒家 24小时牛肉面馆 澳大利亚Asialink 北京大学
Soul Carriage UK, 2006, 88 min, Color, HD, Dolby Digital 5.1 In Chinese with English subtitles Director/Screenwriter: Conrad Clark Producer: Wendy Kuan Original Story: Saleh Karama Cinematographer: Wu Qiao Executive Producer: Freeman Xiang Director’s Assistant: Yan Zhou Sound Design: Li Min Na Art Director: Joe Yao Editor: Rudi Fieldgrass Composer: Zhang Yang / Shengzi Cast: Yang Feng Jun, Jia Hong, Chen Jiao Ying Synopsis Another death on a Shanghai construction site – soul carriage - follows the fate of one such worker as he is carried back to his hometown in a small village in rural china by a co-worker. A job, which at first seems like any other, soon turns to tragedy as he finds himself tearing down the lives of those connected to the body. Nobody is willing to take responsibility for this body, people have moved on and all the connections to his hometown have been shattered.
Our quiet hero is left in despair as he comes to terms with disposing of the body himself, a body that he has by now got to know, and with whom it is hard to distinguish himself. Director Bio Conrad Clark Director/Screenwriter/ September 19, 1979 - Taunton, UK Whilst at film school in London, Conrad became the cinematographer of choice for most of the student projects which enabled him to gain immense experience behind the camera and working with light; a material he is passionate about. Conrad then worked as assistant cameraman and apprentice to Raquel Fernandez the Spanish cinematographer.? He then co wrote and shot a 40 minute mini feature with Arabic director Saleh Karama - Time left – an experimental, visually striking piece that picked up best film at the Emirates film competition in 2003. Conrad then completed a masters in anthropology at the school of African and oriental studies where he focused his studies on Chinese culture and language – exploring the connections between language and culture. After shooting one more low budget feature film – Love struck, Conrad turned his attention to directing. Conrad spent the next two years becoming fluent in Chinese and working on a feature film script based on the lives of immigrant workers in Shanghai.? By living on construction sites and spending time living and researching in the Chinese countryside Conrad fleshed out this script with the details of the immigrant workers life that would become his central character. Working within a theme of a red bricked industrial landscapes slowly invading the bamboo filled green mountainous areas of Zhejiang province – Conrad with the help of Practice Productions shanghai was able to realize his first feature film. Director Soul Carriage – 2006, Feature, Running time: 88 mins, Format: HD, Practice Productions. 118811 - 2003,Commercial, Running time: 3min, Format: 35mm, Practice Productions UK I.D. - 2003, Short, Running time: 10 mins, Format: 16mm, Practice Productions UK Cinematographer Love Struck – 2004, Feature, Running time: 90min, Format: DVCam/Mini-DV, Company: En Passant Films Time Left – 2003, Short, Running time: 40min, Format: 16mm, Company: Agitki Films Dubai (Prix de Jury, Emirates International Film Festival) Breathless - 2003, Short, Running time: 10min, Format: 16mm, Company: Practice Productions UK (Berlinale International Film Festival Talent Campus 2004) 1 Giant Leap II – 2005, Music Video, Running time: 2hr, Format: HD http://www.1giantleap.tv/information.phtml Creative Comments This is a journey of one worker from the city to the countryside – opposite the current trend of all the immigrant workers moving towards the city in China today. It is also a journey from a red bricked industrial landscape to a green natural essential one. However such polarities are never what they seem – and it is in fact the red bricks of the Chinese countryside which stand out and pierce the natural landscapes. The environment thus plays a key role in affecting the character on his journey – almost to the point where his actions and behaviour can be seen as a product of the scenery he travels through. He is involved in an intense and complex struggle between his green and blue coloured nature and his red bricked culture.
作者电影论坛
举办时间：2006年12月1日-3日
在多媒介混合表述时期，视觉叙事以自然选择消解了固态的电影；同时，它以自然的力量构筑了另一类叙事范畴。我们重引“作者电影”概念，试图从艺术性属上澄清固态的电影理念。视觉叙事刚步入一个语境广阔、言语自然化时期，急需回到艺术性属范畴来澄清电影存在性属，于繁杂、冗长的叙述目录中知见存在性属本真的向度。
作者电影论坛力图于自然的衍进中抱持一种固态的电影观，以非自然的选择赋予电影存在性属以本真诗意。论坛首季展映的三部作品，在社会性介入、身份意识、比较文化及视觉类型上，容涵丰富，对于作者电影存在性属的探讨上不失为多元的比较材质。
主办：下河迷仓矢量源实验室
12月1日 19:30
《天下就有不散的筵席》
纪录片 导演 赵川
12月2日 19:30
《Soul Carriage》（灵车）
剧情片 导演 康睿德 (Conrad Clark)
12月3日 19:30
《曾武华事件》
纪录片 导演 毛晨雨
12月1日 19:30
《天下就有不散的筵席》
Beijing Beerism
纪录片
导演 赵川
《天下就有不散的筵席》片长68分钟，不用旁白，纪录了在2003年秋天，到2004年初，在北京这座飞速发展的城市里，一个由不少知名文人组成的圈子里，一些不愿追随潮流者，夜复一夜地疯狂喝酒游戏的生活。
《天下就有不散的筵席》中几个主要人物，狗子是有名但并不主流的小说家。阿坚是位早年参加过民主运动的诗人。小白从小没父母照看，爱讲自己有过黑社会经历的未出过书的作家。子鹏从外地来北京读书工作的电视编导。张驰也是知名作家……片子由他们没完没了的酒席和酒席上的各种酒戏组成，其中编织进了他们的个人经历、友情和情感生活的变化，以及在急速发展中，他们喝酒的小馆也正遭遇拆毁。这群在日新月异的环境里，不愿人云亦云，想能守住点什么的人，但很快他们连自己酒桌下的地砖、头上的屋瓦都松动了。在这样的生活中，不仅狗子问自己：“我们这样手拉手扎着堆集体在这个世纪内消失吧，以狂欢的方式消失，这样我们就可以什么都不想，因为我们已不会想，更不敢想……我们会留下的将是什么？倘若真有神或上帝的话，他会这么放过我们吗？” 张驰也在问别人：“他们丫所有的倒塌都是回归自然，我们在其中倾注的所有感情都是虚妄的，都是我们对自己的感情，但我们的感情有价值吗？！”
《天下就有不散的筵席》是一部关于在急速变迁，发展主义统领一切的中国社会中，小人物的命运。他们以喝酒这种行为──并非显得那么颓废潦倒，却是将一个个黑夜都喝得灿烂夺目。阿坚说“我们每人拍出一份健康搁在这里，这点健康我们不要了……”北京的啤酒主义者们不是群愤怒的人，这已经超越了愤怒，成了与功利社会不计成败的对歭。
Beijing Beerism documents in 68 minutes, without voice-over, a group of distinguished and dissenting literati and their reckless bacchanalia from autumn 2003 to early 2004 in Beijing , a city enthralled in breathless development. The Chinese title refers to the existence of never ending banquets in the world.
Among the main characters in Beijing Beerism, Gozi is a forty something novelist with fame but no market share. Ahjian is a poet over fifty, once jailed for his participation in democratic movements. Xiao Bai is a thirty something not yet published writer, loves to brag about his triad experiences. Zi Pen, a TV producer in his twenties, came from provinces to Beijing to study and work. Zhang Chi, another famous writer… The film consists of their never ending banquets and various drinking games thereof; along the way we know of their personal particulars, changes in friendship and love life, and the demise of the humble restaurant they frequent.
These people struggle to hold on to something and be true to themselves, as seen in Beijing Beerism. But in no time the bricks at the bottom of their drinking table and the tiles on the roof overhead start to tremble and give in. Living this life, Gozi asks himself, “We shall disappear into this century en masse, hand in hand, heap on heap, and in carousal. We shall think no more, for we shall be unable to think, we dare not to think… What shall we leave behind? If there is a god, will he leave us untouched?” Zhang Chi asks the others, “Demise is a path back to nature. Our sentimentality toward demise is nothing but delusion. It is a self-serving sentimentality. But what value is there in our sentimentality?”
Beijing Beerism is about the fate of Chinese commoners living in a fast changing society exclusively geared toward development. They assert themselves in drinking, which is less decadent than glorious. On drinking, Ahjian says, “Each of us hands down a piece of health here, this little piece of health we don’t want it anymore…” Beijing Beerists are not angry, but beyond anger; they are in a remorseless confrontation with the materialistic society.
编导 written and directored by
赵川 ZHAO CHUAN
摄影 photograph by
赵川 ZHAO CHUAN
高子鹏 GAO ZI PEN
音乐 music by
陈昕宜 CINDY CHEN
字幕英文翻译 English subtitle by
黄庆 HING WANG
莫杰明 JEREMY MOYER
后期制作 post- production
上海(冠华)榮信科技有限公司 Guanhua AV System Interaction Co., Ltd
特别鸣谢 special thanks
狗子 阿坚 张弛 白脸 高子鹏 君达 陈苗
宋小鲁 蓝石 高颜松 王晶靖 张喜 吴梦
汤光明 薄小波 全勇先 张熙 陈嘉映 老周
全小林 唐大年 赵赵 刘毅 孙民 罗艺 老徐
小冷 玲玲 NICOLAS JOSE
谢杰拉面 天顺酒家 24小时牛肉面馆
澳大利亚Asialink 北京大学
12月2日 19:30
灵车
Soul Carriage
剧情片
导演 康睿德 (Conrad Clark)
剧情梗概
上海的某建筑工地有人意外死亡。一个民工奉命将这个死亡工友的尸体运回农村老家。《灵车》启动。开始时，他并不觉得这项任务和任何别的工作有多不同。可是，当与尸体相关之人的生活被他的到来而打乱时，旅程很快蒙上了悲剧的色彩。没有人愿意收留这具尸体。生活在前进。故乡已经不复存在。
安静的主人公陷入了绝望之中。他逐渐的想到扔掉这个在旅程中他开始了解，同时也深深烙着自己印记的尸体。
英国，2005，88分钟，彩色，高清，5.1环绕立体声,中文发音,英文字幕
导演:康睿德 (Conrad Clark)
制作人:关云娣
原著:克拉姆
摄影:吴樵
执行制片:向峰
导演助理:朱研
录音:李敏娜
美术:姚俊
剪辑:鲁迪
作曲:张阳/胜子
演员:杨锋君,贾宏,陈皎莹
导演介绍
康睿德
导演/剧作 1979/9/19—英国
还是在伦敦学习电影的时候，康睿德作为摄影师，就参与拍摄了大量的学生作品。光影之间，他积累了丰富的经验。
康睿德曾经师从西班牙摄影师Raquel Fernandez。然后他和阿拉伯导演Saleh Karama共同创作和拍摄了一部四十分钟的剧情片“Time Left”。 这部具有很强实验性，视觉鲜明的电影获得了2003年阿联酋国际电影节的最佳影片奖。
随后，康睿德取得了非洲和亚洲学院的人类学的硕士学位。他重点学习中国文化和语言，探索语言和文化之间的关系。
在拍完一部低成本的电影Love Struck后，他逐渐把中心转向了导演方面。接下来的两年里，他生活在上海。除了练得一口流利的中文以外，他还创作出了一部关于民工生活的电影剧本。康睿德深入工地和乡村，最终塑造了以一个民工为主角，充满了鲜明的生活细节的电影。
红色砖墙搭建的工业园地慢慢侵占绿色山野的竹林。康瑞德在上海云影文化有限公司的帮助下，完成了他的第一部剧情片。
导演作品
灵车---2006，剧情片，88分钟，高清，上海云影文化有限公司
118811---2003，广告，3分钟，35mm, 英国云影文化有限公司
I.D.---2003, 短片， 10分钟，16mm, 英国云影文化有限公司
摄影作品
Love Struck---2004, 剧情片，90分钟，DV/Mini-DV, En Passant Films
Time Left---2003, 短片，40分钟，16mm, 迪拜Agitki电影公司
（2003年阿联酋国际电影节最佳影片奖）
Breathless---2003，短片， 10分钟，16mm，英国云影文化有限公司
（2004年柏林国际电影节新人奖）
1 Giant Leap II---2005，音乐录影带, 2分钟, 高清
（http://www.1giantleap.tv/information.phtml）
创作评论
这是一段民工从城市返回故乡的旅程---和当代中国民工涌入城市的趋势截然相反。也是一个从红砖的工业世界回归到绿色自然本土的故事。然而事物的极性从来都不是简单的象他们所表现的那样。实际上的中国农村，无数红墙醒目的挺立在农村的田野里。
旅途中，环境对人物的性格起着重要的作用。可以说，主人公的反应和行动可以看作是他周遭经过的不同环境的产物。他陷入了一场绿色和蓝色的自然，与红墙文化的紧张而又复杂的斗争之中。
Soul Carriage
UK, 2006, 88 min, Color, HD, Dolby Digital 5.1
In Chinese with English subtitles
Director/Screenwriter: Conrad Clark
Producer: Wendy Kuan
Original Story: Saleh Karama
Cinematographer: Wu Qiao
Executive Producer: Freeman Xiang
Director’s Assistant: Yan Zhou
Sound Design: Li Min Na
Art Director: Joe Yao
Editor: Rudi Fieldgrass
Composer: Zhang Yang / Shengzi
Cast: Yang Feng Jun, Jia Hong, Chen Jiao Ying
Synopsis
Another death on a Shanghai construction site – soul carriage - follows the fate of one such worker as he is carried back to his hometown in a small village in rural china by a co-worker. A job, which at first seems like any other, soon turns to tragedy as he finds himself tearing down the lives of those connected to the body. Nobody is willing to take responsibility for this body, people have moved on and all the connections to his hometown have been shattered.
Our quiet hero is left in despair as he comes to terms with disposing of the body himself, a body that he has by now got to know, and with whom it is hard to distinguish himself.
Director Bio
Conrad Clark
Director/Screenwriter/ September 19, 1979 - Taunton, UK
Whilst at film school in London, Conrad became the cinematographer of choice for most of the student projects which enabled him to gain immense experience behind the camera and working with light; a material he is passionate about.
Conrad then worked as assistant cameraman and apprentice to Raquel Fernandez the Spanish cinematographer.? He then co wrote and shot a 40 minute mini feature with Arabic director Saleh Karama - Time left – an experimental, visually striking piece that picked up best film at the Emirates film competition in 2003.
Conrad then completed a masters in anthropology at the school of African and oriental studies where he focused his studies on Chinese culture and language – exploring the connections between language and culture.
After shooting one more low budget feature film – Love struck, Conrad turned his attention to directing.
Conrad spent the next two years becoming fluent in Chinese and working on a feature film script based on the lives of immigrant workers in Shanghai.?
By living on construction sites and spending time living and researching in the Chinese countryside Conrad fleshed out this script with the details of the immigrant workers life that would become his central character.
Working within a theme of a red bricked industrial landscapes slowly invading the bamboo filled green mountainous areas of Zhejiang province – Conrad with the help of Practice Productions shanghai was able to realize his first feature film.
Director
Soul Carriage – 2006, Feature, Running time: 88 mins, Format: HD, Practice Productions.
118811 - 2003,Commercial, Running time: 3min, Format: 35mm, Practice Productions UK
I.D. - 2003,
Short, Running time: 10 mins, Format: 16mm, Practice Productions UK
Cinematographer
Love Struck – 2004, Feature, Running time: 90min, Format: DVCam/Mini-DV, Company: En Passant Films
Time Left – 2003, Short, Running time: 40min, Format: 16mm, Company: Agitki Films Dubai
(Prix de Jury, Emirates International Film Festival)
Breathless - 2003, Short, Running time: 10min, Format: 16mm, Company: Practice Productions UK
(Berlinale International Film Festival Talent Campus 2004)
1 Giant Leap II – 2005, Music Video, Running time: 2hr, Format: HD
http://www.1giantleap.tv/information.phtml
Creative Comments
This is a journey of one worker from the city to the countryside – opposite the current trend of all the immigrant workers moving towards the city in China today. It is also a journey from a red bricked industrial landscape to a green natural essential one. However such polarities are never what they seem – and it is in fact the red bricks of the Chinese countryside which stand out and pierce the natural landscapes.
The environment thus plays a key role in affecting the character on his journey – almost to the point where his actions and behaviour can be seen as a product of the scenery he travels through. He is involved in an intense and complex struggle between his green and blue coloured nature and his red bricked culture.
12月3日 19:30
曾武华事件
Misbirth
纪录片
导演 毛晨雨
一个简单、纯净的小事件 一部信手拍摄的短电影
梗概
一个出外十年毫无音讯的痞子，一个生养了两个孩子的妇人，两人私自决定生育一个孩子； 妇人的肚子大起来后，城里呆不下，于是跑回山区来，准备生育。 但计生办遍布森林的网依然将他们牢牢抓住，于是整个生育计划人工流产了。
导演 毛晨雨
协助 胡海天 吴威德
统筹 向 华
制作 矢量源实验室
导演介绍
毛晨雨
1998年：参加同济大学“绿洲剧社”，编导先锋戏剧《红与蓝》和《哑口无言》。
2000年：同济大学毕业，完成了故事片处女作《行走的日子》。
2001年：完成故事片《或开端，或终结》
2002年：组建“新意象电影工作室”，之后又参加了桑达真实电影工作室。
2003年：完成纪录片《灵山》。
2004年：进入上海真龙纪录电影工作室，后回湖南拍摄故乡风土之纪录民俗志《细毛家甲申阴阳界》。
2006年：完成故事片《双马泾公案》
2006年：完成纪录片《曾武华事件》
下河迷仓4楼 矢量源实验室影场域
地址：龙漕路200弄100号 下河迷仓4楼
交通：1，地铁3号线龙漕路站4号出口下左转100米即到200弄口
2，或地铁1号线漕宝路站4号出口沿龙漕路步行400米看路牌
点击查看地图
矢量源实验室（Vectors laboratory）是下河迷仓影场域的综合平台，是电影交流展映和各界作者电影人谈话喝茶的公众场所。实验室定期有内部展映和制作人沙龙活动，在下河迷仓网站www.mecooon.com首页上都将提前介绍，各类活动仅有限开放。欢迎电影作者多来作客，多来指正，以求实验室能为公众的作者电影制作提供更有效、更可能的服务。
下河迷仓www.mecooon.com是上海民间实验戏剧排练、演出的集约场域，其前身为真汉咖啡剧场，目前免费为上海十多个民间剧社提供排练和演出场地。下河迷仓设有多个开放式艺术空间，没有门户之见，不防盗贼不看文凭，不分人种国籍，只问有心用心与否。2006年秋分，下河迷仓因应历史潮流，开设电影制作交流场域──矢量源实验室。
邮编：200235
电话：86-21-54483368-605
联系人：毛晨雨 胡海天 吴威德