讲座：英语学术界中的中国电影研究

　　[这个贴子最后由neveronline在 2003/12/09 05:42pm 第 4 次编辑]
　　
　　应现象工作室的邀请，在中国进行一周访问和研究的美国加州大学伯克利分校的中国电影研究专家Chris Berry（裴开瑞）教授和他同事Lisa Rofel教授将在12月14日（周日）晚给现象影视俱乐部会员以及其他电影爱好者做一个关于中国电影研究现状的讲座，并和大家交流。
　　内容包括英文学术界(包括美国、英国、澳大利亚等等)中的关于中国电影的研究现状。希望能和大家有比较充分的交流。这是一个难得的交流机会，欢迎大家参加。
　　Topic:
　　Introduction to the Scholarship on Chinese Films in the English-Speaking World。
　　主题：
　　英语学术界中的中国电影研究
　　时间：12月14日 19:00
　　地点：北大电教125
　　主办：现象工作室　北大影视协会
　　详情请登陆现象网站http://www.fanhall.com
　　
　　Chris Berry
　　Associate Professor, Departments of Film Studies and Theater, Dance and Performance Studies, University of California, Berkeley
　　
　　Lisa Rofel
　　Associate Professor of Anthropology, Department of Anthropology, University of California, Santa Cruz
　　Bio
　　Chris Berry received his PhD in Film and Television Studies from UCLA in 1999. He taught at La Trobe University in Melbourne for 10 years prior to coming to UC Berkeley. His research interests include Chinese Cinema, Korean Cinema, and the role of the cinema in the production of individual and collective identities. He is the author of A Bit On The Side: East-West Topographies Of Desire, the editor of Perspectives On Chinese Cinema, the co-coordinator of The House of Kim Ki-Young, and the co-editor of The Filmmaker And The Prostitute: Dennis O'Rourke's "The Good Woman Of Bangkok."
　　
　　
　　Selected Publications
　　Books
　　with Mary Farquhar, China On Screen: Cinema and the National (commissioned by Cambridge University Press for the Cinema Traditions series under the general editorship of David Desser, anticipated publication 2004).
　　A Bit on the Side: East-West Topographies of Desire (Sydney: EmPress Publishing, 1994).
　　Edited Books
　　(with Lu Fei-i) Island on the Edge: Taiwan New Cinema and After (Hong Kong: Hong Kong University Press, forthcoming 2004).
　　Chinese Films in Focus: 25 New Takes (London: British Film Institute, forthcoming 2003).
　　(with Fran Martin and Audrey Yue), Mobile Cultures: New Media and Queer Asia (Durham: Duke University Press, 2003).
　　(with Annette Hamilton and Laleen Jayamanne), The Filmmaker and the Prostitute: Dennis O'Rourke's "The Good Woman of Bangkok" (Sydney: The Power Institute Press, 1997).
　　(with Annamarie Jagose), Australia Queer (Melbourne: Meanjin, 1996).
　　Perspectives on Chinese Cinema (London: BFI, 1991). (First, (shorter) edition, Ithaca, NY: Cornell University East Asia Papers No.39, 1985).
　　Translated Books
　　(ed. & trans.) Ni Zhen, Memoirs from the Beijing Film Academy: The Origins of China's Fifth Generation Filmmakers(Duke University Press, 2002).
　　(trans. with Cathy Silber), Ding Xiaoqi, Maidenhome, (Melbourne: Hyland House, 1993).
　　Academic Websites
　　(coordinated with Soyoung Kim), The House of Kim Ki-young, (Seoul: Korean National University of Arts, 1999), http://www.knua.ac.kr/cinema/index.htm.
　　Book Chapters
　　"Killer Butterfly and the Delirium of South Korean Modernity," in Korean Cinema in 24 Frames, ed. Justin Bowyer (Harrow: Wallflower Press, forthcoming).
　　"Scream and Scream Again: Korean Modernity as a House of Horrors in the Films of Kim Ki-young," in Made in Korea: Contemporary Cinema and Society, ed. Frances Gateward (Bloomington: Indiana University Press, forthcoming).
　　"Getting Real: Chinese Documentaries, Chinese Postsocialism," in Zhang Zhen, ed., China's Urban Generation (forthcoming, Duke University Press, 2004).
　　"Facing Reality: Chinese Documentary, Chinese Postsocialism," in Wu Hung with Wang Huangsheng and Feng Boyi, ed., Reinterpretation: A Decade of Experimental Chinese Art (1990-2000) (Guangzhou: Chuangdong Museum of Art: 2002), 121-131.
　　"A Haunting Presence: Letís Love Letís Love Hong Kong," in Yau Ching, Letís Love Hong Kong: Script and Essays (Hong Kong: Youth Literary Review Books, 2002), 33-38.
　　"What's Big about the Big Film? 'De-Westernizing' the Blockbuster in Korea and China," in Julian Stringer, ed., Movie Blockbusters (London: Routledge, 2003), previously published in Korean in Kim Soyoung (ed.), Hangukhyong Bullokbasutto: Adullandisu hagun Amaerikka (The Korean Blockbuster: Atlantis and America), (Seoul: Hyonshil Munhwa Yonggu, 2001), 91-110.
　　with Fran Martin, "Syncretism and Synchronicity: Queer'n'Asian Cyberspace in 1990s Taiwan and Korea," in (ed., with Fran Martin and Audrey Yue), Mobile Cultures: New Media and Queer Asia (Durham: Duke University Press, forthcoming 2002).
　　"Happy Alone? Sad Young Men in East Asian Gay Cinema," in Queer Asian Cinema: Shadows in the Shade, ed. Andrew Grossman (New York: Harrington Park Press, 2000), simultaneously published as Journal of Homosexuality 39: 3/4, pp.187-200.
　　"Asian Values, Family Values: Film, Video, and Lesbian and Gay Identities," in Gerard Sullivan and Peter A. Jackson, eds., Gay and Lesbian Asia: Culture, Identity, Community (New York: Harrington Park Press, 2001), simultaneously published as Journal of Homosexuality 40: 3/4 (2001), pp.211-233, and in Korean in Trans: Journal of Visual Culture Studies (2000), pp.137-149.
　　"If China Can Say No, Can China Make Movies? Or, Do Movies Make China? Rethinking National Cinema and National Agency," in Rey Chow (ed.), Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field (Durham: Duke University Press, 2000), pp.159-180. Originally published in boundary 2 25:3 (1998), pp.92-105.
　　with Fran Martin, "Queer'n'Asian on -- and off -- the Net: The Role of Cyberspace in Queer Taiwan and Korea," in David Gauntlett (ed.), Web Studies: Rewiring Media Studies for the Digital Age (London: Arnold, 2000), pp.74-81.
　　"Where Is the Love? The Paradox of Performing Loneliness in Vive L'Amour," in Lesley Stern and George Kouvaris (eds.), Falling for You: Essays on Cinema and Performance (Sydney: Power Institute Press, 1999), pp.147-177.
　　Journal Articles
　　with Mary Farquhar, "Speaking Bitterness: History, Media, and Nation in Twentieth Century China," Historiography East & West (forthcoming, 2002).
　　"The Documentary Production Process as a Counter-Public: Notes on an Inter-Asian Mode and the Example of Kim Dong-Won," Inter-Asia 4:1 (2003), pp.139-145.
　　with Mary Farquhar, "From National Cinemas to Cinema and the National: Rethinking the National in Transnational Chinese Cinemas," Journal of Modern Literature in Chinese 4:2 (2001), 109-122.
　　with Mary Farquhar, "Look Again: Using Chinese Examples to Rethink Gender in the Cinema," Ershiyi Shiji (Twenty-First Century, Hong Kong) No.68 (2001), 85-93.
　　with Mary Farquhar, "Shadow Opera: Towards a New Archaeology of the Chinese Cinema," PostScript 20:2&3 (2001), 25-42.
　　with Kim SoYoung, "Suri Suri Masuri: The Magic of the Korean Horror Film," Postcolonial Studies 3:1 (2000), pp.53-60.
　　"Disney's Mulan, Disney's Feminism: Universal Appeal and Mutually Assured Destruction," TAASA Review: The Journal of The Asian Arts Society of Australia 9:1 (2000), 6-7.
　　
　　Lisa Rofel
　　Associate Professor of Anthropology
　　B.A., Brown University
　　M.A., Ph.D., Stanford University
　　Department of Anthropology
　　Social Sciences 1
　　University of California
　　Santa Cruz, CA 95064
　　Professor Rofel's project is to rethink the politics of representation, political economy, and gender. Her ethnographic research in post-Mao China interrogates the socialist state's visions of modernity that have created new meanings of "woman" and "work" as the state has constructed an imaginary, or symbolic vision, of political economy, known as "economic reform." This is part of a broader inquiry into the emergence of oppositional practices under socialism as part of cultural and historical processes involving such hegemonic powers as the state and transnational influences but also voices that seem to speak from the margins. The possibilities for the post-Orientalist feminist ethnographies are also part of this project. In addition, she has research interests in popular culture in China as an increasingly important site for the creation of national subjects.
　　SELECTED PUBLICATIONS
　　
　　"'Yearnings': Televisual Love and Melodramatic Politics in Contemporary China." Manuscript.
　　"Rethinking Modernity: Space and Factory Discipline in China." Cultural Anthropology, 6(1):93:-114, 1992.
　　"'Eating Out of One Big Pot': Workers in Post-Mao China." In Workers' Expressions: Beyond Accommodation and Resistance, J. Caligione and D. Nugent, eds. pp. 79-97. Albany: State University of New York Press, 1991.