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《寻欢作乐》圆桌讨论会

2021-03-26 05:40:43   来自: fanhallfilm
  《寻欢作乐》(导演:赵大勇)
  
  圆桌讨论会:
  赵大勇(导演) 朱日坤 张真 Harry Gu(翻译)
  主持:Gina Marchetti(香港大学)
  
  日期/时间:3月27日星期六 美国东部时间7PM (北京时间星期天7AM)
  Zoom讨论注册:
  https://zoom.us/webinar/register/WN_9PXoocsGTeW2MEjoKxOGeA
  
  《寻欢作乐》影片观看:
  https://watch.eventive.org/fleff/play/602aa64aad19a9007652804b
  
  影片资料:
  
  《尋歡作樂》
  The High Life
  
  劇情 / 91分钟 /彩色 /16:9 / HD /普通话 广东话
  
  梗概:
      [我戴着避孕套写作…….]看守所民警是个诗人,用下流的诗歌释放心灵,并让犯人朗读他的作品,在囚室里寻觅知音。
      在另一边,城中村里,骗子摆了一个招聘的摊替别人找工作,从中骗取介绍费,女友央求他一起远走,他欲情倾发廊女,以为发财便能解忧,在官黑勾结的南方城市,内心唯一净土是披上戏服练习造手的时刻。
  
  Synopsis:
     “I wear a condom when I write my poetry” . . . Dian Qiu, a policeman working as a guard in a Guangzhou prison is also an aspiring poet. He writes “trash poetry” as a means of liberating his spirit, and forces his prisoners to read the verses out loud in a desperate and cruel bid for meaning.
      In a crowded village slum across town, a scam artist named Jian Ming sets up a fake employment agency, hoodwinking new arrivals from the countryside. His girlfriend, a mistress kept by a wealthier patron, pleads with him to run away with her. Instead, hoping instant success can cure his sense of aimlessness and failure, he hooks up with a pyramid scheme. In this southern city in which power and money have sullied every corner of life, Jian Ming can find meaning only in the daily Chinese opera routine he performs on his rooftop.
  
  导演阐述:
  拥挤的城市就象迷宫一样,永远看不清它到底张啥样。
  这个世界变化快,快的都反应不过来啦!
  城中村,周围的高楼大厦就象高墙。走出高楼围绕城中村是生活在这里人的梦想,也有一些把这里当成堡垒避难的地方。生活如此艰辛如此险恶,人性变的赤裸。
  高墙内真正的监狱,压抑变态的警察用诗歌奸淫着犯人奸淫着社会。
  警察与女囚遭遇了,一支小小的口红成了他们追求真爱的证具与象征。
  城市、城中村、监狱在我看都有着共同的特质——空间。生存在这里的人们也都有一样的处境真诚的东西只能是看得见而摸不着,虚假和罪恶却时刻伴随左右。
  电影让我再一次的表达了我个人哲学,贪婪的生活总是能让人陷入无止境的悲苦深渊。
  
  Director’s Statement:
      The modern city, crowded and chaotic, can grow around us like an enclosure, making it impossible for us to see the world and our lives for what they are.
      Our world is changing so rapidly and with such ferocity that sometimes we can’t catch up. Outside the old urban village slums in booming Chinese cities like Guangzhou, brand new skyscrapers rise up like massive walls closing in. For some poor residents of these islands in the city, these walls represent hope and the future. Others find in them a false sense of security. But as survival becomes harder and harder, our very humanity is exposed, raw and naked.
      In a real prison behind walls that enclose, a policeman personally tormented uses his poetry to violate the dignity of his prisoners and rape his own society. The policeman develops an emotional connection with a female inmate, and a stick of red lipstick becomes a symbol of their pursuit of real and tangible love and meaning.
      In my view, the city, the urban village and the prison cell are kindred spaces. The people in these environments all face the same predicament. They glimpse what is humanizing and real, but it remains totally beyond their grasp. They are surrounded on all sides by falsehood, deception and evil.
       In the medium of film, I have found a means of expressing my personal philosophy of life, exploring how our wanton pursuit of material happiness inevitably sinks us into a tragic and pointless cycle of grasping.
  
  2010年香港国际电影节 – 数字竞赛银奖
  2010年南京独立影展
  2010年北京独立电影展
  2010年法国南特三大州国际电影节提名
  2010年温哥华国际电影节
  2010年德国曼海姆——海德堡国际电影节
  
  

  

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