哎呀呀,去哺乳
| 片名： | 哎呀呀,去哺乳 |
|---|---|
| 其它片名： | /Feeding Boys,Ayaya |
| 导演： | 崔子恩 |
| 编剧： | 崔子恩 |
| 制片人： | 刘淑景, 张晖林 |
| 摄影： | 袁德强, 张晖林 |
| 声音： | 袁德强, 张晖林 |
| 剪辑： | 高博杰, 祁江 |
| 主演： | 张荐, 贾戈, 侯剑, 于滨, 文文, 张世钦, 孙斌, 刘安安, 侯立峰, 王瑞琪, 刘侃, 朱轩 |
| 音乐： | 张荐 |
| 片长： | 80分钟 |
| 年份： | 2003年 |
| 类型： | 剧情片 |
| 国别： | 中国 |
| 语言： | |
| 格式： |
影片概述 . . . . . .
小宝做男妓的事情被哥哥知道了。哥哥大滨是一个基督徒，他来劝阻小宝，不让他继续从事这项被社会歧视的工作。小宝反抗哥哥，离家出走。大滨四出寻找小宝，遇到仔仔和安安，给他们钱花，请他们吃饭，希望他们改弦更张，但是没有结果。
大滨的教友小剑为了实践基督教义，认同底层社会，决定去作男妓。争论不下，二人决定到街头去做社会调查，主题就是“如何看待卖身”。调查结果是，绝大多数的人反对性交易。小剑败在下风，但是，他依旧走上了作男妓的不归路。小剑故意把客人带回家，向幸福的家庭和父母挑战。
小剑和仔仔的理论是，人是哺乳动物，男人要重建哺乳动物的本质，就得去卖身，用精液去哺乳别人。大滨身心交瘁，一病不起。临终之际，他嘱咐女友文文继承他的遗志，去拯救天下像小宝一样的男妓。文文那样去做了，终日在街头宣讲基督福音。为了拯救仔仔，她舍身作了仔仔的女友。还把自己的家供给仔仔和小剑居住。最终，仔仔和小剑为自己找到了一份比作男妓还要低贱的工作，那就是做乞丐。
在影片结尾，作曲家大荐把这样一些主题献给了“全世界，全人类”。
Synopsis:
Composer Dajian said that being a male prostitute is equal to composing of great music. He entitled his music” We need afflatus in selling ” and then distribute it to those characters who live on selling and those do not. Xiaobao’s work as a male prostitute is known by his mother and elder brother Dabin, who is a Christian. He tried to persuade Xiaobao to quit the discriminated job. Xiaobao resisted the press and left home.
Dabin went out to look for Xiaobao. He met Zaizai and Anan. Treating them for dinner, he expected that they could change their way of life but in vain. Dabin went to look for all the young men who work as male prostitutes and wanted to save them. But Xiaohe told him that there are ten benefits to be a male prostitute, which muted Dabin.
Dabin’s conversus Houjian decided to be a male prostitute for the practice of Christian doxy and the identification with the understratum of the society. They argued about it and reached no agreement. So they decided to do an investigation in the street and theme is How do you look on selling of yourself ?”. The result shows that most people are against of sex
trade. Houjian lost the debate but he still sticked to be a male prostitute.
Houjian brought his guest home intentionally to challenge his warm family and parents.
Houjian and Zaizai believe that human being are mammals. Men have to sell themselves to feed others with their sperm to restructure their characteristic of mammals.
Zaizai suspected that he got Aids. He inquired on the Hotline for Beijing Gays and got some health tutorship.
Dabin was psychologically and physically exhausted and collapsed. When dying, he enjoined his girlfriend Wenwen to keep on his will, to save all the male prostitutes like Xiaobao. Wenwen did keep her words, she preached the Christian evangel in the street everyday. In order to save Zaizai, she sacrificed herself as his girlfriend and provided her house for Zaizai and Houjian. In return,
they violated her in turn and stressed that they were trying to revert to the characteristic of mammals to feed her, and then they flirted her by singing ”Go to sell youth on pedaling”.
Zaizai and Houjian found even a lower job to be beggars in the end. At the end of the movie, Dajian contributed such themes “The world and human being”.
大滨的教友小剑为了实践基督教义，认同底层社会，决定去作男妓。争论不下，二人决定到街头去做社会调查，主题就是“如何看待卖身”。调查结果是，绝大多数的人反对性交易。小剑败在下风，但是，他依旧走上了作男妓的不归路。小剑故意把客人带回家，向幸福的家庭和父母挑战。
小剑和仔仔的理论是，人是哺乳动物，男人要重建哺乳动物的本质，就得去卖身，用精液去哺乳别人。大滨身心交瘁，一病不起。临终之际，他嘱咐女友文文继承他的遗志，去拯救天下像小宝一样的男妓。文文那样去做了，终日在街头宣讲基督福音。为了拯救仔仔，她舍身作了仔仔的女友。还把自己的家供给仔仔和小剑居住。最终，仔仔和小剑为自己找到了一份比作男妓还要低贱的工作，那就是做乞丐。
在影片结尾，作曲家大荐把这样一些主题献给了“全世界，全人类”。
Synopsis:
Composer Dajian said that being a male prostitute is equal to composing of great music. He entitled his music” We need afflatus in selling ” and then distribute it to those characters who live on selling and those do not. Xiaobao’s work as a male prostitute is known by his mother and elder brother Dabin, who is a Christian. He tried to persuade Xiaobao to quit the discriminated job. Xiaobao resisted the press and left home.
Dabin went out to look for Xiaobao. He met Zaizai and Anan. Treating them for dinner, he expected that they could change their way of life but in vain. Dabin went to look for all the young men who work as male prostitutes and wanted to save them. But Xiaohe told him that there are ten benefits to be a male prostitute, which muted Dabin.
Dabin’s conversus Houjian decided to be a male prostitute for the practice of Christian doxy and the identification with the understratum of the society. They argued about it and reached no agreement. So they decided to do an investigation in the street and theme is How do you look on selling of yourself ?”. The result shows that most people are against of sex
trade. Houjian lost the debate but he still sticked to be a male prostitute.
Houjian brought his guest home intentionally to challenge his warm family and parents.
Houjian and Zaizai believe that human being are mammals. Men have to sell themselves to feed others with their sperm to restructure their characteristic of mammals.
Zaizai suspected that he got Aids. He inquired on the Hotline for Beijing Gays and got some health tutorship.
Dabin was psychologically and physically exhausted and collapsed. When dying, he enjoined his girlfriend Wenwen to keep on his will, to save all the male prostitutes like Xiaobao. Wenwen did keep her words, she preached the Christian evangel in the street everyday. In order to save Zaizai, she sacrificed herself as his girlfriend and provided her house for Zaizai and Houjian. In return,
they violated her in turn and stressed that they were trying to revert to the characteristic of mammals to feed her, and then they flirted her by singing ”Go to sell youth on pedaling”.
Zaizai and Houjian found even a lower job to be beggars in the end. At the end of the movie, Dajian contributed such themes “The world and human being”.
导演阐述 . . . . . .
获得奖项 . . . . . .
第22届加拿大温哥华国际电影节（VIFF）
第8届韩国釜山国际电影节（PIFF）
第6届台北电影节（TIFF）
第28届香港国际电影节（HKIFF）
22nd Vancouver International Film Festival
8th Pusan International Film Festival
6th Taipei International Film Festival
28th HongKong International Film Festival
第8届韩国釜山国际电影节（PIFF）
第6届台北电影节（TIFF）
第28届香港国际电影节（HKIFF）
22nd Vancouver International Film Festival
8th Pusan International Film Festival
6th Taipei International Film Festival
28th HongKong International Film Festival
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