教堂
| 片名： | 教堂 |
|---|---|
| 其它片名： | /My Father’s House |
| 导演： | 赵大勇 |
| 片长： | 分钟 |
| 年份： | 2009年 |
| 类型： | 纪录片 |
| 国别： | 中国 |
| 语言： | 国语 |
| 格式： |
影片概述 . . . . . .
在这里，不管他们是非洲人还是中国人，都是加入到寻找自己的家的斗争中自由地生活并遵循自己的信仰。
教堂通过尼日利亚传教士丹尼尔·迈克尔·恩耶里贝（Daniel Michael Enyeribe）1997年创建的一座地下教堂的故事，探索中国蓬勃发展的非洲社区。在与广州地方当局的一系列冲突后，教会的成员逐渐增多，牧师丹尼尔被拒绝居住在中国，被迫躲避在附近的香港。
丹尼尔牧师继续远程操作他的广州教堂，但在中国的日常工作是由伊格纳修斯乌瓦牧师和他的中国妻子小易承担。由于来自政府的压力持续存在，他们努力维持家庭和教会的团结。
看到越来越多的非洲人口集中在广州的城市贫民区，我们意识到有一个更大的故事需要在这里讲。他们是怎么住在这里的？他们带来了什么信仰？他们是如何改变中国的面貌的？
My Father’s House explores the booming African community in the southern Chinese city of Guangzhou through the turbulent story of an underground church founded by Nigerian missionary Daniel Michael Enyeribe.
The film begins with the voice of Pastor Daniel as he tells the story of his revelation in his native Nigeria. Daniel shares a vision in which he rides a bicycle in China, a confirmation of his calling to do missionary work there.
The film fast-forwards to the first of several police raids on Daniel’s growing church in Guangzhou. Uniformed police interrupt an ordination ceremony for the Nigerian church’s China-based divinity school and read relevant laws and regulations on religious activity in China.
Following police raids 2004 and 2005, the story unfolds in two strands, as Pastor Enyeribe is denied abode in China and is forced to take refuge in nearby Hong Kong. The Guangzhou church continues to grow in his absence but under his constant direction, thanks to new technologies like Skype, which he uses to deliver Sunday sermons to Guangzhou and other underground churches.
The film follows Pastor Enyeribe’s story as well as that of another local pastor, the acting head of the Guangzhou church, his Chinese wife, and their young child.
The life of the church offers a rich perspective on the booming African community in Guangzhou, as traders struggle with cultural, personal and financial challenges, rally to the side of “brothers” detained by Chinese authorities, establish their own competitive football league and seek Christian converts among the local Chinese population.
The film closes in the weeks ahead of the Beijing Olympic Games, as Guangzhou police raid the church once again and padlock its doors.
教堂通过尼日利亚传教士丹尼尔·迈克尔·恩耶里贝（Daniel Michael Enyeribe）1997年创建的一座地下教堂的故事，探索中国蓬勃发展的非洲社区。在与广州地方当局的一系列冲突后，教会的成员逐渐增多，牧师丹尼尔被拒绝居住在中国，被迫躲避在附近的香港。
丹尼尔牧师继续远程操作他的广州教堂，但在中国的日常工作是由伊格纳修斯乌瓦牧师和他的中国妻子小易承担。由于来自政府的压力持续存在，他们努力维持家庭和教会的团结。
看到越来越多的非洲人口集中在广州的城市贫民区，我们意识到有一个更大的故事需要在这里讲。他们是怎么住在这里的？他们带来了什么信仰？他们是如何改变中国的面貌的？
My Father’s House explores the booming African community in the southern Chinese city of Guangzhou through the turbulent story of an underground church founded by Nigerian missionary Daniel Michael Enyeribe.
The film begins with the voice of Pastor Daniel as he tells the story of his revelation in his native Nigeria. Daniel shares a vision in which he rides a bicycle in China, a confirmation of his calling to do missionary work there.
The film fast-forwards to the first of several police raids on Daniel’s growing church in Guangzhou. Uniformed police interrupt an ordination ceremony for the Nigerian church’s China-based divinity school and read relevant laws and regulations on religious activity in China.
Following police raids 2004 and 2005, the story unfolds in two strands, as Pastor Enyeribe is denied abode in China and is forced to take refuge in nearby Hong Kong. The Guangzhou church continues to grow in his absence but under his constant direction, thanks to new technologies like Skype, which he uses to deliver Sunday sermons to Guangzhou and other underground churches.
The film follows Pastor Enyeribe’s story as well as that of another local pastor, the acting head of the Guangzhou church, his Chinese wife, and their young child.
The life of the church offers a rich perspective on the booming African community in Guangzhou, as traders struggle with cultural, personal and financial challenges, rally to the side of “brothers” detained by Chinese authorities, establish their own competitive football league and seek Christian converts among the local Chinese population.
The film closes in the weeks ahead of the Beijing Olympic Games, as Guangzhou police raid the church once again and padlock its doors.
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张献民致赵大勇：教堂我觉得不够充分。一是在针对的播映对象不明确的前提下，似乎作品中所表达的针对自己的观点，或从自己向外的观点，都应更清晰，从而成为观看者在观看过程中的支撑物（因为独立作品剧情只是表面的支撑）。这一点你以前也较弱只是这一次更不清楚。第二个不充分是你与信仰的关系其实这与第一点很接近就还是不实有点虚。第三个是内容也较淡薄似乎应为40-50分钟的作品。
——2010-03-02 00:06:20，4444上传
——2010-03-02 00:06:20，4444上传
致赵大勇：教堂我觉得不够充分。一是在针对的播映对象不明确的前提下，似乎作品中所表达的针对自己的观点，或从自己向外的观点，都应更清晰，从而成为观看者在观看过程中的支撑物（因为独立作品剧情只是表面的支撑）。这一点你以前也较弱只是这一次更不清楚。第二个不充分是你与信仰的关系其实这与第一点很接近就还是不实有点虚。第三个是内容也较淡薄似乎应为40-50分钟的作品。
——2010-03-02 00:06:00，4444上传
——2010-03-02 00:06:00，4444上传
